The best Susumu Kurobe’s science fiction movies

Reporter Goro Maki stumbles upon scientists conducting weather experiments on Sollgel Island in the South Seas. He discovers the island is inhabited by giant mantids and a woman named Saeko who's been casted way since the death of her father. The pair soon find a helpless infant monster that Godzilla must adopt and learn to raise as one his own.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

A meteor lands in Kurobe Valley as detective Shindo is assigned to protect Princess Salno from assassination. She emerges under the guise of a Venusian prophetess and catches the attention of journalist Naoko and Mothra's fairies by predicting a powerful space monster's arrival. The infant Mothra must convince Godzilla and Rodan to set aside their hatred of humanity or face the monster alone.

An adaptation of the Rankin/Bass cartoon, "The King Kong Show". King Kong is brought in by the evil Dr. Who to dig for Element X in a mine when the robot Mechani-Kong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle atop Tokyo Tower.

Ultraman and his comrades from M-78 (including a new Ultraman, Zero, the son of Ultra Seven) join forces with other allies to fight a massive army of giant monsters led by the evil Ultraman Belial.

Set in World War II, the film depicts the story of the real-life Japanese battleship, the Yamato, which is confronted in the Pacific Ocean by giant monsters, including the most fearsome of them all, Reigo.

Ultraman Moebius is joined once again by Ultraman, Ultra Seven, Ultraman Jack, and Ultraman Ace, as well as three later Ultramen (Tiga, Dyna, and Gaia) to fight more powerful versions of familiar Ultra Monsters.

A special retrospective of the two franchises, with segments making comparisons between the different characters, their weapons, powers and so forth. The final segment of the special is the short film "Super Battle: Ultraman vs Kamen Rider" The main characters, Ultraman and Kamen Rider 1 appear on the scene separately, each fighting an original kaijin and kaiju. When the two monsters are nearly defeated, they merge into a more powerful kaiju. Ultraman experiences trouble and calls for Kamen Rider 1's help. Kamen Rider 1 is then able to grow to enormous size to fight alongside Ultraman.

Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.

One year after the battle with Belial's Galactic Empire, the members of Ultimate Force Zero returned to Planet Esmeralda to see Princess Emerana. They arrived to see her and Jean Bot captures by a mysterious artificial planet which then took of for another universe. In the Universe where the sphere fled to, Zap Spacy members Rei and Hyuga are forced to infiltrate it, as it is on a collision course with Planet Bram. Inside they encounter various robot monsters, that the Ultramen have fought in the past, all under the control of Beatstar, with one mission: "Destroy all organic life". After saving Emerana, they encounter a robot very similar to Jean Bot, Jean Killer. During their fight with Jean Killer, Zero learns from Jean Bot that Jean Killer is actually his twin brother. Ultimate Force Zero must now put a stop to Killer's rampage and defeat Beatstar in the process. This is part 1 of a 2-part special release to promote the movie Ultraman Saga.

Continuing where the previous story left, Mechazam proceeds to attack EX Zetton in a mad fury but almost perishes in the molten lava until Mebius saves him, despite being heavily injured by EX Zetton. Being thrown to the Battle Nizer, Mechazam tries to break the seal under Mebius' guidance to reverse the disruption field but the container was too strong...

In the beginning of the movie, 20 years ago, on the moon, the 4 Ultra brothers, Ultraman, Seven, Jack, and Ace were fighting a deadly foe known as Yapool, a monster that was several times their size. As they fought, Yapool had a clear advantage and used his several claws to grasp the brothers, although, they managed to clear from the claws through there powers and used a combined Specium Ray to no avail. The monster then flies off to Earth to dodge the attack and the brothers follow. The brothers were barely able to defeat Yapool but the monster still needed to be sealed. However, to seal Yapool away they were forced to give up the ability to transform, and took up jobs to be in the area of Kobe in case the monster ever returned.

One year after the battle with Belial's Galactic Empire, the members of Ultimate Force Zero returned to Planet Esmeralda to see Princess Emerana. They arrived to see her and Jean Bot captures by a mysterious artificial planet which then took of for another universe. In the Universe where the sphere fled to, Zap Spacy members Rei and Hyuga are forced to infiltrate it, as it is on a collision course with Planet Bram. Inside they encounter various robot monsters, that the Ultramen have fought in the past, all under the control of Beatstar, with one mission: "Destroy all organic life". After saving Emerana, they encounter a robot very similar to Jean Bot, Jean Killer. During their fight with Jean Killer, Zero learns from Jean Bot that Jean Killer is actually his twin brother. Ultimate Force Zero must now put a stop to Killer's rampage and defeat Beatstar in the process. This is part 2 of a 2-part special release to promote the movie Ultraman Saga.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

When heads of state gather at the G8 summit in Japan, Guilala -- the intergalactic monster that had been banished from the earth in The X from Outer Space -- returns to ravage the Japanese countryside and threaten the world leaders. Military strikes prove futile against the beast, but a reporter learns that one rural community possesses a strange ritual that might influence the creature. Minoru Kawasaki directs this campy satire.

A massive underwater volcano erupts and puts a group of investigative scientists in danger. They are rescued by an atomic super submarine named The Alpha under the command of Captain McKenzie. The group is quickly taken to a vast underwater city known as Latitude Zero, a fantastic, Atlantean type utopia, a world beneath the ocean with its own sun. It is soon discovered that Captain McKenzie is at war with the evil Dr. Malic, a cruel scientist who wishes to rule mankind all the while conducting genetic experiments on humans and animals. Malic sends his agents to kidnap Dr. Okada, a human scientist who has created a serum that can immunize exposure to radiation.

In the Land of Light, the Ultra Brothers receive the interrupted Ultra Sign sent by Hikari, which comes from the Monster Graveyard. Obtaining Zoffy's approval, Ace and Taro depart to investigate the matter while Mebius, on his routine patrol, is quickly notified by Zoffy to join the investigation.

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

A series of serial murders occurred in a historic ruins where a TV crew is shooting a documentary.