The best Suresh Oberoi’s mystery movies

Suresh Oberoi

Suresh Oberoi

17/12/1946 (77 años)
Today we present the best Suresh Oberoi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Suresh Oberoi’s movies.

Talaash: The Hunt Begins

Talaash: The Hunt Begins
4.3/10
Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.

Namak Halaal

Namak Halaal
7.2/10
Young Arjun is brought up by his Daddu (paternal grandfather). His Daddu decides for him to go to the city in search of a new job and life. While in the city he meets up with Bhairon who guides him into an interview in a 5-star hotel owned by Raja.

Phir Wahi Raat

Phir Wahi Raat
5.8/10
  • Genre: HorrorMystery
  • Release: 15/08/1980
  • Character: Inspector Sharma
Dr. Vijay is a psychiatrist and is in love with a beautiful young woman named Asha. He is stunned when another doctor refers Asha to him, as Asha has been having hallucinations and nightmares of a woman who comes to attack her and choke her to death so much so that her hostel warden has asked her to leave. Vijay hypnotizes Asha, and is successful in driving away her fears. Asha, her friend, Shobha, and Vijay travel to Asha's residence out in the countryside to celebrate her birthday, which they do with lot of pomp and merriment. Shortly thereafter, Asha sees a grotesque woman, quite different from the one she has been having nightmares about, walking in the hallway of her house, but whose motive is also the same - her death.

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