The best Sunnyi Melles’s movies of 2020

Sunnyi Melles

Sunnyi Melles

07/10/1958 (65 años)
If you love cinema, you will share this ranking of the best Sunnyi Melles’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Sunnyi Melles.

Narcissus and Goldmund

Narcissus and Goldmund
6.3/10
  • Genre: Drama
  • Release: 12/03/2020
  • Character: Gräfin
In the dark middle ages young unruly Goldmund is sent to a monastery by his father to atone for the sins of his mother, who abandoned them. It is there that he meets Narcissus, a brilliant, scholarly novice, who is introverted and aloof. A unique and deep life-long friendship is born. Narcissus chooses to remain detached from the world in prayer and meditation. Goldmund, who is passionate, sensual and impulsive, runs away from the monastery to live a picaresque wanderer’s life, his amorous and artistic adventures leading him to discover the extremes of both ecstasy and pain. Several thrilling years pass, until one day these friends cross paths again...

The Final Problem

The Final Problem
6.2/10
  • Genre: CrimeTV Movie
  • Release: 07/01/2020
  • Character: Karin Sessler
A snowed-in holiday hotel. A dead body in a room locked from the inside. The hotel manager wants to cover it up, but in the blink of an eye the whole hotel knows about it. Among the guests is an inspector - or at least he convincingly claims to be - who, together with his assistant who has travelled with him, undertakes extensive investigations. Then a second murder takes place. Although the inspector seems to be close to solving the case, the evidence is missing. Then, on snowshoes, the village policeman joins in, and immediately gets into trouble with the arrogant city dweller.

Enfant Terrible

Enfant Terrible
5.9/10
  • Genre: DramaHistory
  • Release: 01/10/2020
  • Character: Rosel Zech
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

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