The best Sumi Shimamoto’s romance movies

The summer of his high school freshman year, Hodaka runs away from his remote island home to Tokyo, and quickly finds himself pushed to his financial and personal limits. The weather is unusually gloomy and rainy every day, as if taking its cue from his life. After many days of solitude, he finally finds work as a freelance writer for a mysterious occult magazine. Then, one day, Hodaka meets Hina on a busy street corner. This bright and strong-willed girl possesses a strange and wonderful ability: the power to stop the rain and clear the sky.

At Kichijōji Station, Tokyo, Taku Morisaki glimpses a familiar woman on the platform opposite boarding a train. Later, her photo falls from a shelf as he exits his apartment before flying to Kōchi Prefecture. Picking it up, he looks at it briefly before leaving. As the aeroplane takes off, he narrates the events that brought her into his life...

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

The basic plot is centered on the great cherry tree Tarōzakura and what happens after it is cut down during the making of a movie, Lum loses her horns-and her powers! Thus begins the strangest and most lyrical of the Urusei Yatsura movies. The fourth film is the subject of much debate, as it is probably the hardest of all the Urusei Yatsura films to fully understand. Many consider it to be a multi-layered masterpiece, while others feel it is little more than a confused and rambling mess.

17 year-old Sayako Amanokawa aspires to become a journalist, just like Kanemoto, an elite newspaper writer she looks up to. But Kanemoto, shamed from an erroneous report about a corruption scandal, jumps in front of a train and commits suicide. Since that incident, Sayako suddenly becomes able to see spirits and almost loses her life. However, from that near-fatal incident she experiences something extraordinary. The journalist inside her stirred, she embarks to find out about the truth. But the forces that stand in her way turn out to be much formidable than she ever imagined. [from AnimeNewsNetwork]

Yagami comes to Maison Ikkoku, not knowing of Godai's and Kyoko's wedding, stating that she is now an adult, which she is, not knowing how to tell her, they panic, but she finds out in the end, and is heart broken.

Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.