The best Sumi Shimamoto’s comedy movies

After a successful robbery leaves famed thief Lupin the Third and his partner Jigen with nothing but a large amount of expertly crafted counterfeit bills, he decides to track down the forgers responsible—and steal any other treasures he may find in the Castle of Cagliostro, including the 'damsel in distress' he finds imprisoned there.

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

The basic plot is centered on the great cherry tree Tarōzakura and what happens after it is cut down during the making of a movie, Lum loses her horns-and her powers! Thus begins the strangest and most lyrical of the Urusei Yatsura movies. The fourth film is the subject of much debate, as it is probably the hardest of all the Urusei Yatsura films to fully understand. Many consider it to be a multi-layered masterpiece, while others feel it is little more than a confused and rambling mess.

Green Leaves Entertainment is a tiny production company on the verge of going out of business in Sendai, Japan. The agency once managed the careers of magicians, photo idols, fortune-tellers, and other entertainers, but its last remaining client finally quit. Faced with having absolutely no one to represent, agency president Tange thinks up a plan to produce an idol group, forming the seven-girl group known as the "Wake Up, Girls".

Yagami comes to Maison Ikkoku, not knowing of Godai's and Kyoko's wedding, stating that she is now an adult, which she is, not knowing how to tell her, they panic, but she finds out in the end, and is heart broken.

Natsumi Rokudou, a spunky 10 year old girl from Japan receives a strange statue from her dad who's an archaeologist. Little does Natsumi know that the statue houses Ongo, a terrible monster bent on world conquest. In a dream, a strange old man named Ahem warns Natsumi of Ongo's return, and gives her a necklace and tells her to do a sexually suggestive dance that will protect her from peril. Once Natsumi awakens, she finds Ongo on her bed...who's not too threatening looking. But now whenever danger rears it's ugly head, Natsumi must swallow her modesty, and do the embarrassing dance to transform into Mii, the large breasted flower spirit of New Guinea's past.

Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.