The best Steve Buscemi’s crime movies
We present our ranking of the best Steve Buscemi’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Steve Buscemi.
Pulp Fiction
8.9/10
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Con Air
6.9/10
When the government puts all its rotten criminal eggs in one airborne basket, it's asking for trouble. Before you can say, "Pass the barf bag," the crooks control the plane, led by creepy Cyrus "The Virus" Grissom. Watching his every move is the just-released Cameron Poe, who'd rather reunite with his family.
Fargo
8.1/10
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Reservoir Dogs
8.3/10
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
The Big Lebowski
8.1/10
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
Desperado
7.1/10
Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his best friend and a beautiful bookstore owner, the Mariachi tracks Bucho, takes on his army of desperados, and leaves a trail of blood of his own.
Airheads
6.2/10
The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an AM rock station and hold the deejays hostage until they agree to broadcast the band's tape.
Miller's Crossing
7.7/10
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
Domestic Disturbance
5.6/10
A divorced father discovers that his 12-year-old son's new stepfather is not what he made himself out to be.
Rampart
5.8/10
Follows veteran police officer Dave Brown, the last of the renegade cops, as he struggles to take care of his family, and fights for his own survival.
The Grifters
6.9/10
A young short-con grifter suffers both injury and the displeasure of reuniting with his criminal mother, all the while dating an unpredictable young lady.
Billy Bathgate
5.9/10
In the year 1935, a teen named Billy Bathgate finds first love while becoming the protégé of fledgling gangster Dutch Schultz.
Animal Factory
6.6/10
Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he's befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.
King of New York
6.9/10
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Things to Do in Denver When You're Dead
6.7/10
Five different criminals face imminent death after botching a job quite badly.
Double Whammy
5.7/10
Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.
Kansas City
6.3/10
Robert Altman's story is a riff on race, class, and power cross-cuts between the two kidnappings and the background of corrupt politics and virtuoso jazz music. It all takes place in Kansas City in 1934.
The Laramie Project
7.1/10
"The Laramie Project" is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of "The Laramie Project," the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town's citizens over a two-year period. The film adaptation dramatizes the troupe's visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.
Reservoir Dogs
6.4/10
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
CrissCross
5.8/10
Set in 1969, a twelve-year-old grows up in Key West with his mother, who is paying the bills by stripping at the local topless bar. The boy finds out about her activities and tries to convince her to stop, to no avail. A local restaurant owner hires him to collect fish from a boat out in the bay, and the boy discovers that the restaurant owner is using the fish to bring drugs in to shore. He steals one load and goes about selling it so his mother can afford to quit her job.
