The best Stevan Larner’s movies

Stevan Larner

Stevan Larner

06/02/1930- 06/11/2005
Today we present the best Stevan Larner’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Stevan Larner’s movies.

Symbiopsychotaxiplasm: Take One

Symbiopsychotaxiplasm: Take One
7.2/10
  • Genre: Documentary
  • Release: 28/10/1968
  • Character: Himself / Cameraman (uncredited)
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Rosy-Fingered Dawn: A Film on Terrence Malick

Rosy-Fingered Dawn: A Film on Terrence Malick
5.9/10
  • Genre: Documentary
  • Release: 01/09/2002
  • Character: Himself
Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

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