The best Stephen Schneider’s movies
Today we present the best Stephen Schneider’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Stephen Schneider’s movies.
Bumblebee
6.7/10
On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken. When Charlie revives him, she quickly learns this is no ordinary yellow VW bug.
2012: Supernova
2.2/10
Two hundred years ago a supernova exploded somewhere in the Lyra constellation. Now the lethal burst of radiation is headed straight for Earth, and time is swiftly running out. The only thing standing between humanity and complete devastation is astrophysicist Dr. Kelvin (Brian Krause), who heads up a project to save the planet.
Breaking Them Up
5.5/10
Tired of his parents’ constant bickering, 15 year old Damien is certain they’re all wrong for each other— he would know, he’s a relationship expert. Damien and his best friend Erin have a side hustle coupling-up classmates for the right price. So when Damien discovers his parents may have had a shotgunning wedding, he convinces Erin to turn their efforts toward finding his parents new partners— but the cost of doing business may come at the price of everyone involved.
Bert and Arnie's Guide to Friendship
5/10
Bert and Arnie's Guide to Friendship follows the romantic misadventures of Bert Sheering, a sophisticated, yet sexually repressed author and Arnie Hubert, an executive and unabashed ladies man. When Bert discovers that Arnie is sleeping with his wife, this modern day odd couple are launched into a journey filled with comedy, romance and ultimately, friendship. Written by Sal Irizarry
The Back of Her Head
6.8/10
Josh Safdie made this assured comedy in and around his apartment building when he was still a film student at Boston University. The dioramic setup plays like a vertical REAR WINDOW: a shy daydreamer (played by Safdie) lives above an older Hindi man who lives above a reckless Brit who lives above a girl stuck in a bad relationship. The boy two floors up can only see the back of the girl’s head but that’s enough for a crush to develop. Safdie makes the most out of the single location, deploying dynamic camera angles, wry slapstick and even a couple of crane shots for a whimsical picture of city living.
