The best Stephen Rea’s drama movies

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

A young woman returns an elderly widow’s lost purse, leading to an unlikely relationship between the two — until the young woman discovers her elder might not be all that she seems.

Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.

Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.

In the 1970s, a foundling lass, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her transgender nature is beyond the town's understanding.

Paris Fashion Week draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Follows the various storylines of these characters, centering around a murder investigation of a prominent fashion figure. Features an all-star cast.

Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment, and the fact that there is no woman in the house to care for the children—Evelyn, Dermot and Maurice—make it clear to the authorities this is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.

Set in a 19th century village, a young man studying under a local doctor joins a team of hunters on the trail of a wolf-like creature.

A young girl from an affluent family rebels and becomes involved with a much older photographer.

Simon Cable wakes up in a hospital bed, confused and disoriented. He soon discovers from doctors that he has amnesia and is unable to remember the last two years of his life. Cable investigates what has happened to him and slowly pieces together his enigmatic past.

An Irish fisherman discovers a woman in his fishing net believing her to be a mermaid.

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Two grieving women - Ria, a Dublin mom whose husband discloses he's in love with a woman already pregnant, and Marilyn, a Connecticut Yankee who's son has died - swap houses for a couple months. Marilyn finds solace in Ria's garden and becomes friends with Colm, a local with a restaurant and his own demons. Ria gets a job cooking, has a date or two, and gradually comes out of her shell. Meanwhile,

Angie lives in Bensonhurst, Brooklyn, and dreams of a better life. When she finds out she's pregnant by her boyfriend, Vinnie, she decides she'll have the baby; but not Vinnie as a husband. This turns the entire close-knit neighborhood upside-down and starts Angie on a journey of self-discovery. On her way, she meets a new love interest.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend's new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film's subject.