The best Stephen Papps’s drama movies
If you love cinema, you will share this ranking of the best Stephen Papps’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Stephen Papps.
The Piano
7.5/10
After a long voyage from Scotland, pianist Ada McGrath and her young daughter, Flora, are left with all their belongings, including a piano, on a New Zealand beach. Ada, who has been mute since childhood, has been sold into marriage to a local man named Alisdair Stewart. Making little attempt to warm up to Alisdair, Ada soon becomes intrigued by his Maori-friendly acquaintance, George Baines, leading to tense, life-altering conflicts.
Possum
7/10
In a backwoods cabin, a boy called Little Man lives with his dad (a trapper), his older sister Missy, and his younger sister Kid, who is feral, spends most of her time under the table, and can imitate the sound of any animal. Their mother is dead. One day, while dad's in town selling skins, Missy teases Kid and gets bitten. There's Hell to pay when dad gets home, and Kid runs off into the night to spend it with her animal friends. Little Man, who narrates much of the story as well as his reflections in a whisper, must sort out loss and emptiness.
We're Here to Help
A Kafkaesque docudrama of an actual case involving a Christchurch small businessman and the New Zealand Inland Revenue Department. Most people can relate to running up against a bureaucrat (especially the tax man), who knows he can cause you trouble if you say something he doesn't like and then proceeds to use his power to hurt you. In this case, the businessman, Dave Henderson refuses to give in and, for the most part, kept his sense of humour.
Russian Snark
7.2/10
Misha (Stephen Papps), a once celebrated filmmaker who has fallen on hard times, resolves to leave his homeland in search of a film-friendly country where he can pursue his career. With his wife Nadia (Elena Stejko) in tow he sets sail from Russia in a tiny lifeboat, drifting cross the Pacific to finally arrive in New Zealand. Before long Misha realises that New Zealand is no more receptive to his ideas and aesthetic than Russia. Yet he perseveres with his experimental film, ignoring his wife’s pleas to find work. Misha increasingly withdraws into himself, and his relationship with Nadia collapses. Alone, his obsessions take hold and he steadily descends into madness. Only a chance encounter with a young Polynesian woman saves him from the ultimate act of self-destruction. His friendship with Roseanna (Stephanie Tauevihi) inspires a re-awakening, as he begins to reconnect with the world around him.
