The best Stephen Fry’s movies of 2020

Stephen Fry

Stephen Fry

24/08/1957 (66 años)
If you love cinema, you will share this ranking of the best Stephen Fry’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Stephen Fry.

Greed

Greed
5.8/10
  • Genre: ComedyDrama
  • Release: 21/02/2020
  • Character: Himself
A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.

Cold War Steve Meets the Outside World

Cold War Steve Meets the Outside World
  • Release: 24/11/2020
  • Character: Self
Film following the acclaimed Birmingham based artist, known for his controversial satirical collages, as he embarks on a UK wide outdoor art installation.

Hating Peter Tatchell

Hating Peter Tatchell
7.6/10
  • Genre: Documentary
  • Release: 06/08/2020
  • Character: Self
The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil disobedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.

What's the Matter with Tony Slattery?

What's the Matter with Tony Slattery?
7.4/10
  • Genre: Documentary
  • Release: 21/05/2020
  • Character: Himself
Tony Slattery examines his Mental Health and Alcoholism and looks for a diagnosis.

Scandal & Beauty: Mark Gatiss on Aubrey Beardsley

Scandal & Beauty: Mark Gatiss on Aubrey Beardsley
  • Release: 29/03/2020
  • Character: Himself
Mark Gatiss explores the life and career of Aubrey Beardsley, an artist who wielded outrage as adroitly as his pen. A lifelong fan, Mark shows how Beardsley was more than just a genius of self-promotion who scandalised the art world of the 1890s. He was also a technological innovator, whose uncompromising attitude still feels remarkably modern.

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