The best Stephanie Blythe’s drama movies

Stephanie Blythe

Stephanie Blythe

01/01/1970 (54 años)
Today we present the best Stephanie Blythe’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Stephanie Blythe’s movies.

Massenet: Cendrillon

Massenet: Cendrillon
  • Genre: DramaMusic
  • Release: 28/04/2018
  • Character: Madame de la Haltière
The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.

Met Opera Live: La Fille du Régiment

Met Opera Live: La Fille du Régiment
8.1/10
  • Genre: DramaMusic
  • Release: 02/03/2019
  • Character: Marquise de Berkenfield
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

Wagner: Das Rheingold

Wagner: Das Rheingold
  • Genre: Drama
  • Release: 09/10/2010
  • Character: Fricka
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. In this first part of the epic, the theft of the Rhinegold treasure sets in motion the course of events that will change the world and end the rule of the gods. Met Music Director James Levine conducts a cast of some of the greatest Wagnerian singers of our time, including Bryn Terfel as Wotan, Stephanie Blythe as Fricka, and Eric Owens as Alberich.

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