The best Stephan Grossmann’s movies

Adolf Hitler wakes up in a vacant lot in Berlin, with no knowledge of anything that happened after 1945. Homeless and destitute. Although everyone recognizes him, nobody believes that he is Hitler; instead, they think he is either a comedian, or a method actor.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

A "romantic comedy" based loosely on the suicide of the poet Henrich von Kleist in 1811.

Summer 1968. 14-year-old Wolfgang is deported from his family in the secluded Church Welfare Institution sanctuary. One thing is clear for Wolfgang: His yearning for freedom, he will not soon buried in the bog.

The sequel of the "Men in the city" movie which reunites all the characters.

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

Exil tells the story of a chemical engineer of foreign origin who feels discriminated and bullied at work, plunging him into an identity crisis.

How should you spend your time if your days are numbered? This is the question facing Linda, a young woman suffering from a congenital heart defect. Contrary to her doctors’ expectations she has managed to survive to celebrate her thirtieth birthday, but with an operation looming, Linda nonetheless feels a deep need to spend what might be her last weekend with her two sisters: Katharina who is older, and Clara who is younger than her. Linda must use their journey, which begins at their family’s weekend house and ends in Paris, to examine the ways in which her family has been fundamentally affected by her illness; she must also consider how much she can expect from herself and her sisters – faced as they are with the possibility of her death.

A coming-of-age tale with a difference about the grumpy doctor Annebarbel Buschhaus donning her ice skates again at the age of 58 after an absence of 40 years. Back on the ice, she tries to revive long suppressed childhood dreams – and makes a new friend, Jolina Kuhn, Berlin’s youth figure skating champion. Through her new friend, Annebarbel begins to open up and break away from her dominant mother.

Kishori, unmarried and mother to a daughter, and her sister Sonal live in a house in Berlin. The house and a cafe on the ground floor are led by Kishori. All of a sudden, her strict and traditional grandmother comes for a visit from India. She wants to sell the house unless Kishori agrees to marry the father of her daughter, Robert. As Kishori feels obliged to all the befriended inhabitants of the house, including Robert, to keep the house, Kishori und Robert prepare to have a traditional Indian wedding.

Thomas Müller is spotted by a marketing agency for his exceptional normality.