The best Stanley Blystone’s western movies

When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. It's just prior to the civil war and there is already a sharp division in the Territory as to whether it will remain slave-free. When he gets the opportunity to run for marshal, Seton finds himself running against the respected local schoolteacher, William Cantrell. Not is what it seems however. While acting as the upstanding citizen in public, Cantrell is dangerously ambitious and is prepared to do anything to make his mark, and his fortune, on the Territory. When he loses the race for marshal, he forms a group of raiders who run guns into the territory and rob and terrorize settlers throughout the territory. Eventually donning Confederate uniforms, it is left to Seton and the good citizens of Lawrence to face Cantrell and his raiders in one final clash.

South western Pennsylvania area of colonial America, 1760s. Colonial distaste and disapproval of the British government is starting to surface. Many local colonists have been killed by American Indians who are armed with rifles supplied by white traders.

Boston pharmacist Tom Craig comes to Sacramento, where he runs afoul of local political boss Britt Dawson, who exacts protection payment from the citizenry. Dawson frames Craig with poisoned medicine, but Craig redeems himself during a Gold Rush epidemic.

A gang of claim jumpers is infesting the territory, gaining ownership of undermanned mining operations through extortion...and leaving no live witnesses. But one victim, quick-drawing gambler Luke Cromwell, escapes. Meanwhille, Marshal Lightnin' Tyrone is also after the gang; recovering from one raid, he meets femme fatale Opal Lacy, who may not be healthy for him to know. When Luke, now calling himself the Silver Kid, joins forces with Marshal Tyrone, the gang had better watch out ...unless something drives a wedge between the new allies.

A group of confederate prisoners escape to Canada and plan to rob the banks and set fire to the small town of Saint Albans in Vermont. To get the lie of the land, their leader spends a few days in the town and finds he is getting drawn into its life and especially into that of an attractive widow and her son.

Nancy Evans, lovely circus owner, has a ranch that she's never visited, but for sentimental reasons won't sell to Mike Abbott. Her partners, secretly in league with Abbott, sabotage the circus to force Nancy to sell the ranch; instead, she goes there to live. Will her neighbors, the Three Mesquiteers, be a match for the secret swindlers? And what's so valuable about that run-down ranch anyway?

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love.

A Marshal must face unpleasant facts about his past when he attempts to run a criminal gang out of town.

Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?

A lawman takes on gangsters attempting to steal property wanted for a railroad.

A cattle rancher comes to the aid of farmers by heading to NYC to stop the racketeers hijacking their produce shipments.

The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.

Halstead forces the Land Agent to alter the records and then kicks the Mexicans off their land. Buck has been sent to investigate and quickly joins up with Juan Cantova in the fight against Halstead. To keep Buck from seeing the records, Halstead has the Agent murdered. His men then claim Juan killed him and both Buck and Juan then find themselves wanted dead or alive.

Brand controls the only road to the cattle market and is charging exorbitant rates. Tim and Chito rob Brand to recover only their overcharge, but accidentally end up with all of Brand's money......

The Cattlemen's Association has called in the Mesquiteers to find cattle rustlers. They get Tex Riley to pose as Stony so Stony can arrive posing as a wanted outlaw. This gets Stony into the gang of rustlers and he alerts Tucson and Lullaby as to the next raid. But Hartley is on hand and unknown to anyone is the rustler's boss and he joins the posse with a plan that will do away with the Mesquiteers.

Homesteaders are moving into the valley settled many years ago by rancher Craig Dolan. He wants to keep them out by legal means but his nephew Bart brings in outlaws to drive them out. The Lone Ranger is on hand to help the homesteaders battle Bart's men as he overcomes traps, ambushes, burning buildings and other obstacles in his attempt to bring peace to the valley.

Gene inherits a meat-packing plant, then faces stiff competition from snooty Ann Randolph, rival owner determined to do him in.