The best Stanley Andrews’s western movies

One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?

Drifter Cole Harden is accused of stealing a horse and faces hanging by self-appointed Judge Roy Bean, but Harden manages to talk his way out of it by claiming to be a friend of stage star Lillie Langtry, with whom the judge is obsessed, even though he has never met her. Tensions rise when Harden comes to the defense of a group of struggling homesteaders who Judge Bean is trying to drive away.

Oklahoma outlaw Belle Starr meets the Dalton gang when rescued from lynching by Bob Dalton, who falls for her. So do gang member Mac and wealthy saloon owner Tom Bradfield, who's enlisted in a bankers' scheme to trap the Daltons. Dissension among the gang and Bradfield's ambivalence complicate the plot, as Belle demonstrates her prowess with shootin' irons, horses, and as a surprisingly racy saloon entertainer. Written by Rod Crawford

Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the Virginian finds that his old pal Steve is mixed up with black-hatted Trampas and his rustlers...then finds himself at the head of a posse after said rustlers; and Molly hates the violent side of frontier life.

Bob Hope stars in this laugh-packed wild west spoof co-starring Jane Russell as a sexy Calamity Jane, Hope is a meek frontier dentist, "Painless" Peter Potter, who finds himself gunslinging alongside the fearless Calamity as she fights off outlaws and Indians.

Frontiersman Kit Carson fights off Indian attacks on the trail to California.

Gil Carter and Art Croft ride into a small Nevada town plagued by cattle thieves. Initially suspected of being the rustlers themselves, Carter and Croft eventually join a posse out to get the criminals, who also may be involved in a recent shooting. When the posse closes in on a group that could be the fugitives, they must decide on a course of action, with numerous lives hanging in the balance.

A U.S. Marshal goes undercover to stop a cattle smuggling gang, but when his cover is blown, the hunter becomes the hunted.

Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as his behavior becomes more erratic--and violent--his friend desperately tries to find a way to help him.

The sheriff of Gunlock is planning to hang Sam Hall, who shot three farmers found on cattle land, at sundown. At the casino, betting is 8 to 3 he won't make it. The cattlemen are set to rescue Sam; the farmers hope to lynch him before he can be rescued; and Hall schemes for escape with his girl Nellie. But Sheriff Jorden is most concerned with finding out who hired Hall: a leading suspect is the sheriff's future brother-in-law.

When the bank is robbed, Gene and the boys are singing nearby and the Chief arrests them as gang members but lets them go thinking they will lead them to the others.

The army's effort to capture Apache chief Geronimo, who is leading a band of warriors on a rampage of raiding and murder, is hampered by a feud between two officers--who are father and son.

"Wicked" Lily Bishop joins a wagon train to California, led by Michael Fabian and Johnny Trumbo, but news of the Gold Rush scatters the train. When Johnny and Michael finally arrive, Lily is rich from her saloon and storekeeper (former slaver) Pharaoh Coffin is bleeding the miners dry. But worse troubles are ahead: California is inching toward statehood, and certain people want to make it their private empire.

Based on the story of the famous Mormon leader, it follows Brigham Young and his challenge to transport his people across the Rocky mountains to settle in Salt Lake City. The plot focuses on two fictitious characters, Jonathan Kent and Zina Webb and the hardships they have to face along the way.

A greedy businessman tries to block the building of a new railroad in his area.

Evil Grant Withers lets a killer horse loose to ruin valuable horses on nearby ranches. He hopes to shake down the ranchers for his "protection". Roy tracks down the bad guys, but is suddenly trapped by them. Peter Miles, a boy terrified of horses, overcomes his fear and rides for help to save the day.

Brett Wade, gambler, gunslinger, and classical pianist, is wounded in a gunfight with the Ferris clan; the doctor finds signs of tuberculosis. En route to Colorado for his health, Brett stops in Socorro, New Mexico along with Ferris gunfighter Jimmy Rapp. Sheriff Couthen fears another shootout, but what Brett has in mind is saving waif-with-a-past Rannah Hayes from a life as one of Dick Braden's saloon girls.

Trouble in Colorado is tying up Union troops needed back east during the Civil War and Lieut. Burke is sent to investigate. Macklin and his gang are causing the problems and Capt. Mason joins them. When Burke catches up with them he also finds Mason, his brother.

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.