The best Stanley Anderson’s comedy movies
If you love cinema, you will share this ranking of the best Stanley Anderson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Stanley Anderson.
Legally Blonde 2: Red, White & Blonde
4.8/10
Now a rising young lawyer, Elle Woods is about to make partner at her firm, but when she finds out her dog's relatives are being used as cosmetic test subjects, she heads to Washington D.C. to fight for animal rights.
The Kid
6.1/10
Powerful businessman Russ Duritz is self-absorbed and immersed in his work. But by the magic of the moon, he meets Rusty, a chubby, charming 8-year-old version of himself who can't believe he could turn out so badly -- with no life and no dog. With Rusty's help, Russ is able to reconcile the person he used to dream of being with the man he's actually become.
S1m0ne
6.1/10
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.
40 Days and 40 Nights
5.6/10
Matt Sullivan's last big relationship ended in disaster and ever since his heart's been aching and his commitment's been lacking. Then came Lent, that time of year when everybody gives something up. That's when Matt decides to go where no man's gone before and make a vow: No sex. Whatsoever. For 40 straight days. At first he has everything under control. That is until the woman of his dreams, Erica, walks into his life.
Canadian Bacon
5.9/10
The U.S. President, low in the opinion polls, gets talked into raising his popularity by trying to start a cold war with Canada.
The Last Shot
5.7/10
A movie director-screenwriter finds a man to finance his latest project but soon discovers that the producer is actually an undercover FBI agent working on a mob sting operation.
He Said, She Said
5.7/10
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
