The best Stanisława Celińska’s drama movies

On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.

The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.

A devout Catholic peasant girl is corrupted by two new friends when her family moves to the city. An allegory of traditional Polish values under threat from materialism and decadence in the post-Communist era.

Set in the early 1930s, a young man finds a job as a dishwasher in a hotel and quickly works his way up the ladder. Loosely based on the novel by Henryk Worcell.

In an era in which it is difficult for the true emotion and excitement, Feliks Falk found the key to the human heart. How many of us love? How much we are able to self-sacrifice? Is there a price that can not pay, when it comes to life of a loved one? Are we really as good as we think about yourself? In Joanna's life is given forever. Today's friend suddenly becomes an enemy. Reflex heart turns into a curse. When one of the lonely woman takes care of little girls-czynkę do not know that from now on, her life will be sweet - bitter taste. Fate in this film is everything. Allows people to find that in a moment blow and lead to separation. After-forgives love, for which you have to pay a huge price. Fulfills the promise of happiness loneliness, brittle as glass.

Set in the late '20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

Zanussi has described the film as his most autobiographical work. A young boy in post-World War II, Communist-dominated Poland, whose father's decision to remain in Britain after the war has made his family politically-suspect with the local Party authorities, is sent by his mother to stay with an "aunt" (in reality an old family friend) in Warsaw.

Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.