The best Stafford Morgan’s movies on Apple iTunes

Stafford Morgan

Stafford Morgan

If you love cinema, you will share this ranking of the best Stafford Morgan’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Stafford Morgan.
Genre:

Die Hard 2

Die Hard 2
7.1/10
Off-duty cop John McClane is gripped with a feeling of déjà vu when, on a snowy Christmas Eve in the nation’s capital, terrorists seize a major international airport, holding thousands of holiday travelers hostage. Renegade military commandos led by a murderous rogue officer plot to rescue a drug lord from justice and are prepared for every contingency except one: McClane’s smart-mouthed heroics.

Another 48 Hrs.

Another 48 Hrs.
5.9/10
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the Ice Man. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.

Wild Orchid II: Two Shades of Blue

Wild Orchid II: Two Shades of Blue
3.9/10
  • Genre: DramaRomance
  • Release: 31/10/1991
  • Character: Colon. Winslow
Blue is a teenage girl who lives with her Jazz playing father Ham. Ham gets very sick and dies, and now Blue must support herself somehow. Elle, the headmistress at a brothel, talks her into living and working at her establishment. She decides to leave the business and lead a normal life. Elle is hellbent to see that she never has one.

Cleopatra Jones

Cleopatra Jones
5.9/10
Cleopatra Jones is assigned to crack down on drug trafficking in the United States and abroad. After she burns a Turkish poppy field, the notorious drug lord Mommy is furious at the loss of her supply and vows to destroy her.

Targets

Targets
7.3/10
Peter Bogdanovich’s startling debut feature is both a brilliantly constructed thriller and a disturbingly prescient look at the rise of mass shootings in America. In his last serious dramatic role, Boris Karloff plays a version of himself: a washed-up horror actor whose fate intersects with a psychotic sniper (Tim O’Kelly) on a killing spree.

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