The best Sofiko Chiaureli’s documentary movies

Sofiko Chiaureli

Sofiko Chiaureli

21/05/1937- 02/03/2008
Today we present the best Sofiko Chiaureli’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Sofiko Chiaureli’s movies.

The Color of Armenian Land

The Color of Armenian Land
6.6/10
  • Genre: Documentary
  • Release: 01/10/1969
  • Character: Sayat Nova (archive footage)
In his wordless debut film, Mikhail Vartanov presents the ancient and modern art of Armenia through the post-impressionist painter Martiros Saryan’s silent commentary of gestures. Biblical landscapes, the ruins of temples, frescos, cross-stones, contemporary sculptures of Tchakmakchian (Chakmakchyan), the first appearance on film of iconic modernist painter Minas and his paintings, as well as the world famous behind-the-scenes episodes of Sergei Parajanov’s landmark "The Color of Pomegranates (Sayat Nova)." The film had its first public screening at one of the world’s largest and prestigious cinematic events, the Busan International Film Festival, 43 years after it was made.

Sergei Parajanov: The Rebel

Sergei Parajanov: The Rebel
  • Genre: Documentary
  • Release: 01/01/2003
  • Character: Interviewee
This documentary is not a straightforward portrait of Armenian film director Sergei Paradjanov's life, but rather a fluid celebration of his talent and creativity. Focusing on the collages he produced during his years in prison, and featuring interviews with the director himself, Cazals' film demonstrates the scope of Paradjanov's artistic vision, lovingly commemorating this rebel of art cinema.

Parajanov: The Last Spring

Parajanov: The Last Spring
7.2/10
  • Genre: Documentary
  • Release: 30/12/1992
  • Character: Mother in The Confession
Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, which, despite the prohibitive conditions it was created in, won the admiration of many of cinema's greatest artists, including Francis Ford Coppola and Martin Scorsese.

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