The best Silvia Mariscal’s thriller movies
Today we present the best Silvia Mariscal’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Silvia Mariscal’s movies.
Maria of My Hearth
7.7/10
Héctor and María meet again after eight years of not seeing each other. She works as a magician in cabarets and he robs houses. María convinces Héctor to become a magician and work together. Life seems to smile on them until one day, when Maria travels to another city, the couple's situation will be overshadowed by an unfortunate event.
Drizzle
7.6/10
Eduardo, a typical bourgeois man from Mexico City, goes on a business trip to a province, accompanied by his lover. While there, he picks up a large sum of money and, after a spat with his lover, sets off on his drive back to the city alone. On the way, his car gets stuck in the mud and he's helped by four campesinos who ask him for a ride to the city in return. The trip proves extremely tense for Eduardo, who's increasingly gripped by paranoid fears that the men intend to rob and murder him.
Nora's Will
7.2/10
Jose learns that Nora, the woman he was married to for 30 years and from whom divorced, has committed suicide. The rabbi explains Joseph that due to the celebrations this time of the year, if Nora is not buried that same day, they should wait at least 5 days for the funeral. Nora had planned before his death, a Machiavellian plan in order that Joseph was the one who has to take care of his funeral. But Nora forgot a small detail, a mysterious photograph stored under her bed, that will remind Joseph that the greatest love stories, sometimes are hidden in the smallest places.
El valle de los miserables
5.8/10
Paper Flowers
5.5/10
On the thinnest of pretexts, a horde of homeless people descend on the apartments of two members of the comfortable middle class and proceed to loot and vandalize both homes, leaving the next morning with many of the belongings they found there, as well as one of the residents who has opted to join them. This political allegory is based on two plays by the Chilean playwright Egon Wolff.
