The best Shima Onishi’s movies

Before he was a protector, Kenshin was a fearsome assassin known as Battosai. But when he meets gentle Tomoe Yukishiro, a beautiful young woman who carries a huge burden in her heart, his life will change forever.

Shuhei is leading a tough life. His alcoholic mother Akiko can only hook up with bad guys and order Shuhei to go get money from his disapproving grandparents instead of going to school. Except raising the little half-sister, his rock-bottom life seems to have no end.

Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine.

In a valley, with a dense growth of trees, a baby is killed. The baby's mother Satomi is arrested as the prime suspect. The police also learn that Satomi is involved in a romantic relationship with her next door neighbor Ozaki. The information was provided by the neighbor's lover Kanako. Meanwhile, magazine reporter Watanabe, who is covering the story, discovers the shocking fact that Ozaki was involved in a rape case 15 years ago. Even more shocking, the victim in the rape case is Kanako.

1989 is the 64 Shouwa year in the Japanese calendar, thus the unsolved girl kidnapping-murder case is called "64(rokuyon)" that got up in this year in Criminal Investigation Department in the Prefectural Police Department. And 14 years were over as the prefecture's police to be unsolved greatest stain, and statute of limitations approached it. In 2002, Yoshinobu Mikami, an ex-detective who was assigned as the investigator of the "Rokuyon" case 14years ago, moves as a Public Relations Officer in the Police Affairs Department against his will. As a newly assigned Public Relations Officer, he was troubled with the relation between the reporters, new case has occurred. And that new case traced "Rokuyon" case exactly.

The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-Sansō incident.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.

On November 25th 1970, a man committed ritual suicide inside the Tokyo headquarters of the Japanese Ministry of Defence, leaving behind a legacy of masterpieces and a controversy that echoes to this day. The man was Yukio Mishima, one of Japan's greatest and most celebrated novelists. With four members of his own private army - the Tatenokai - Mishima had taken the commandant hostage and called upon the assembled military outside the Ministry to overthrow their society and restore the powers of the Emperor. When the soldiers mocked and jeered Mishima, he cut short his speech and withdrew to the commandant's office where he committed seppuku - the samurai warrior's death - tearing open his belly with a ceremonial knife before being beheaded by one of his colleagues. What was Mishima truly trying to express through his actions? And what did he witness during his final moments?

Shoji Segawa was a quiet and inconspicuous boy, but, for the first time, he is recognized by people after winning the National Middle School Shogi Tournament. At the age of 26, his dream of becoming a professional shogi player collapses due to an age restriction. After he quits playing shogi, he becomes desperate. With the support of his peers, including Yuya Suzuki, and his love of shogi, Shoji Segawa begins to play shogi again. A miracle happens to him.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier but deprived of his arms and legs lost in battle. All hopes, from the villagers and women to close family members, turn to Shigeko, the Lieutenant's wife. She must honor the Emperor and the country in setting an example for all by fulfilling her duty and taking care of the 'god soldier'. Kurokawa prior to leaving to fight in the war regularly beat and berated his wife for her barrenness and inability to bring him a son. When he returns home as an amputee with no hearing and no speech, his wife dutifully attends to him, even though he shows little appreciation for her dedicated care. His main concerns are getting fed and getting sex. Even in his own degraded condition, he manages to berate his wife. Eventually, though, his own memories infiltrate and he is haunted by his horrible, sadistic deeds, performed while in the duty of the Japanese military.

Ai, Mizuho, ​​and Erika live together in an old house. They get evicted when the city wants to demolish and redevelop the property. A story about 3 people spending time together in a place they have to leave, in an ever changing city where dreams get buried.

Scene one: March 11th, 2011. An earthquake and a tsunami strike the East coast of Japan, damaging the Fukushima Nuclear Power Plant. A man and five other brave power plant workers are sent to fasten a bolt to prevent radiation leaks. Scene two: 2013. The man is now cleaning the empty houses surrounding the nuclear plant. But the strange atmosphere starts giving him hallucination... Scene three: Christmas, 2014. A woman in a red car crashes by the garage where the man is working. The woman looks just like his wife, who died in the tsunami.

After the Great Kanto earthquake in 1923, a troupe of female sumo wrestlers arrive in Tokyo.

Masao (Kokone Sasaki) was once famous for having supernatural powers, but she now lives as a prostitute. Her special power is to know when a person will die by touching them. Masao has sex with men about to die. One day, a man named Tachibana (Shima Ohnishi) appears in front of her and expresses his wish to film her. In reality, Tachibana wants to take revenge on her. His wife killed herself after learning from Masao that she would die. Tachibana though becomes attracted to Masao.

Set within the fictional city of Mahoro, Keisuke Tada runs a "benriya" - a general problem solver for hire. His assistant is his former high school classmate Haruhiko Gyoten. A big crisis then occurs for them.

“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.

After losing his job, a recovering addict struggles to survive and meets a free spirited woman, who changes his world, but cannot stay in his life.

An ex-journalist Masuda whose article caused a scandalous fatality now works at a small factory. He learns that his colleague Suzuki is a former convict who killed some children back in middle school. Trying to get back his old job, Masuda secretly starts to write a piece on Suzuki while befriending him. The more he learns about his colleague, however, the more Masuda remembers his younger self, a boy who triggered his classmate's suicide.