The best Seyneb Saleh’s movies

Seyneb Saleh

Seyneb Saleh

25/12/1987 (36 años)
If you love cinema, you will share this ranking of the best Seyneb Saleh’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Seyneb Saleh.

Mute

Mute
5.5/10
A mute man with a violent past is forced to take on the teeming underworld of a near-future Berlin as he searches for his missing girlfriend.

Toubab

Toubab
6.6/10
  • Genre: ComedyDrama
  • Release: 15/09/2020
  • Character: Yara

Herzjagen

Herzjagen
4.7/10

Golden Twenties

Golden Twenties
6.2/10
  • Genre: Comedy
  • Release: 29/08/2019
  • Character: Tamara
Ava is far from happy about having to move in with her mother again after finishing college. A lot has changed since she was a child. Her old room is occupied by her mother's home exercise machine, and Ava's friends have their own lives to worry about. However, her mother has found a new boyfriend who is not much older than Ava herself. Ava finds herself without any prospects for the future and doesn't quite know what to do with her life.

The Red Room

The Red Room
6.1/10
A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.

Dengler - Kreuzberg Blues

Dengler - Kreuzberg Blues
6.5/10

For Nothing

For Nothing
5.4/10
  • Genre: Drama
  • Release: 10/07/2014
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?

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