The best Senkichi Ômura’s action movies
If you love cinema, you will share this ranking of the best Senkichi Ômura’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Senkichi Ômura.
Seven Samurai
8.6/10
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
King Kong vs. Godzilla
6.2/10
Japanese-Release Version. Tako, advertising director of Pacific Pharmaceuticals, is frustrated with the low ratings of their sponsored TV program and seeks a more sensationalist approach. He orders his staff off to Faro Island, capturing King Kong to exploit for marketing. As Godzilla re-emerges, a media frenzy generates with Tako looking to capitalize off of the ultimate wrestling match.
Godzilla Raids Again
5.7/10
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
Kagemusha
7.9/10
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Ghidorah, the Three-Headed Monster
6.5/10
A meteor lands in Kurobe Valley as detective Shindo is assigned to protect Princess Salno from assassination. She emerges under the guise of a Venusian prophetess and catches the attention of journalist Naoko and Mothra's fairies by predicting a powerful space monster's arrival. The infant Mothra must convince Godzilla and Rodan to set aside their hatred of humanity or face the monster alone.
Mothra vs. Godzilla
6.5/10
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
The Hidden Fortress
8.1/10
Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.
Zatoichi
7.1/10
Older, wiser but still a wandering loner, the blind, peace-loving masseur Ichi seeks a peaceful life in a rural village. When he's caught in the middle of a power struggle between two rival Yakuza clans, his reputation as a deadly defender of the innocent is put to the ultimate test in a series of sword-slashing showdowns.
Samurai III: Duel at Ganryu Island
7.5/10
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
Gigantis the Fire Monster
4.2/10
The altered American release of Godzilla Raids Again. Originally meant to be known as the The Volcano Monsters, the film was eventually released as "Gigantis."
Lost World Of Sinbad
6.2/10
An adventurous and daring sailor sets sail to the castle of an ailing king to stop an evil premier, hungry for power and wealth, from succeeding the throne and marrying the king's beautiful daughter. Along the way, with the help of some courageous rebels and a lustful wizard, he must overcome the powers of a bewitching witch, a band of ruthless pirates, and the castle's Imperial guards. He must also free those kidnapped into slavery and restore the king's reputation.
Daredevil in the Castle
6.3/10
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
The Gambling Samurai
6.6/10
Chuji Kunisada returns to his home village to find that Jubei Matsui, the corrupt magistrate, has been responsible for virtually destroying Kunisada's family. A final tragedy leads Kunisada to join with a band of rogues living in the forest in robbing from the rich and giving to the poor, always with an eye toward avenging himself on Magistrate Matsui.
Samurai Saga
6.9/10
Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
Big Shots Die at Dawn
6.3/10
An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)
Attack Squadron
6.5/10
Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.
