The best Sean Hart’s movies

Set in the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. So they created the LGSM (Lesbian, Gays, Support the Miners) but there is a problem. The Union seems embarrassed to receive their support.

Stephen is a brilliant young boy who lives in England, in what appears to be the 1920s—but nothing in Stephen’s life is quite as it seems. His world is turned upside down upon meeting a charismatic and inspirational professor at a garden party, who demonstrates to Stephen and his friends what life would be like if they themselves were merely one, or two, dimensional beings. He then proceeds to explain that by manipulating other dimensions, time travel may actually be possible. As Stephen’s life unfolds, events lead him to dedicate himself to turning the Professor’s theories of time travel into reality. Jealousy, love, obsession, temptation and greed surround him, influencing his fragile mind and the direction of his work.

Jason (Danny Bedford) is in a crisis. He won’t go to work and stays holed up in his flat. But when his TV breaks, he is forced to call co-worker Richard (Sean Hart) to fix it. All is normal, except when Jason mentions that a friend of his may be dead in his bed. Instead of hightailing it out of the potential murder scene, Richard (who has the hots for Jason) instead not only checks the body (yes, dead) but also proposes a homemade autopsy. And when the scalpel cuts the flesh, these two young men are now in it together. But it is not just one body, a serial killer is roaming London’s streets, but the bodies seem to all end up in Jason’s flat.

The decay of Rome reaches violent depths in Shakespeareas most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeareas gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.

Following Caesaras assassination, Mark Antony has reached the heights of power. Now he has neglected his empire for a life of decadent seduction with his mistress, Cleopatra, Queen of Egypt. Torn between love and duty, Antonyas military brilliance deserts him, and his passion leads the lovers to their tragic end.

Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett; Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop; Tamara Shogaolu's animated "Half A Life"; Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd; Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor; Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker; Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt; Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"; Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert; and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.