The best Sean Harris’s drama movies

England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

During her Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, Diana decides to leave her marriage to Prince Charles.

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain, King Arthur's reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men.

North Carolina mountains at the end of the 1920s – George and Serena Pemberton, love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle-snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pemberton’s passionate marriage begins to unravel leading toward a dramatic reckoning.

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.

The film is notable for presenting a more human Jesus, compared to more solemn portrayals in earlier films; here Jesus laughs and cries like anyone else. Among other things, he weeps at Joseph’s funeral, throws stones in Lake Galilee when meeting Simon Peter and James son of Zebedee for the first time, dances at the wedding at Cana, and starts a water-splashing fight with his disciples as well. Satan is portrayed as a man in modern dress (and as a woman in red). During his temptation of Jesus, he shows him the Earth from the vantage point of space. Satan also shows Jesus images of wars and destruction carried out in his name. The film adds an apocryphal Roman historian named “Livio” who watches and comments as events unfold; he is presumably named after Livy.

An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.

A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty in the murder and disfigurement of his former wife.

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin's innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.

A young British soldier must find his way back to safety after his unit accidentally abandons him during a riot in the streets of Belfast.

Yorkshire, 1974. Fear, mistrust and institutionalised police corruption are running riot. Rookie journalist Eddie Dunford is determined to search for the truth in an increasingly complex maze of lies and deceit surrounding the police investigation into a series of child abductions. When young Clare Kemplay goes missing, Eddie and his colleague, Barry, persuade their editor to let them investigate links with two similar abductions that draw them into a deadly world of secrecy, intimidation, shocking revelations and police brutality.

A disgraced children’s puppeteer returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.

After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police's Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.

Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a new life, he moves home and is befriended by a beautiful young neighbour Charlotte. His life may be turning around but all is not what it seems and, haunted by visions of his dead wife, Ben starts to lose his grip on reality.

Three generations of the rowdy Cutler family live as outlaws in some of Britain's richest countryside – hunting hares, ram-raiding stately homes, and taunting the police. Struggling to retain a way of life fast becoming extinct, Chad Cutler ends up caught between his father's archaic principles and trying to do right by his kids, whilst the full force of the law is finally catching up with him.

Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.

After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.