The best Satoshi Tsumabuki’s family movies

In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita's descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita's caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?

Masashi (Kazunari Ninomiya) is a photographer. He has his parents and an older brother Yukihiro (Satoshi Tsumabuki). Through the 2011 Tohoku earthquake and tsunami, Masashi begins to take staged photos of his family.

A husband and wife have been married for 50 years. For her birthday, the husband asks the wife what she wants for her birthday present. She replies that she wants a divorce. The wife's divorce announcement sends the entire family into chaos.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.

There once was a hospital where patients and even doctors & nurses were all weird. Above all, Onuki, a patient who built up his company all by himself from scratch, is a super cranky old man. One day, he meets up a girl called Paco, who cannot retain memory beyond one day due to a car accident. She is reading the same picture book everyday. Onuki starts bonding with Paco after some incident, and begins to doubt his way of living. He starts wanting to do something for Paco with his remaining life, and comes up with a brilliant idea. This pleases Paco, but their fate is?

In this film director Yoji Yamada bows down before his teacher and role model. Yamada was assistant director on Yazujirō Ozu’s Tōkyō monogatari, a moving family portrait set after the Second World War. In his remake, Yamada has made very few departures from Ozu’s masterpiece in order to update the story of ageing couple Shukichi and Tomiko to present day Japan. Once again, the pair decides to leave their quiet lives in the country to pay a visit to their children and grandchildren in Tokyo. Once there, they discover that neither their oldest son, a doctor named Koichi, nor their eldest daughter Shigeko - who runs a beauty parlour - has time for them: both are too busy attending to their everyday concerns. Even the youngest son went his own way. The old couple feel lonely and bewildered in the fast-paced metropolis.