The best Sarah Polley’s fantasy movies

Sarah Polley

Sarah Polley

08/01/1979 (45 años)
We present our ranking of the best Sarah Polley’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Sarah Polley.
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Mr. Nobody

Mr. Nobody
7.7/10
Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

The Adventures of Baron Munchausen

The Adventures of Baron Munchausen
7.1/10
An account of Baron Munchausen's supposed travels and fantastical experiences with his band of misfits.

Beowulf & Grendel

Beowulf & Grendel
5.8/10
The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.

One Magic Christmas

One Magic Christmas
6.4/10
  • Genre: FamilyFantasy
  • Release: 22/11/1985
  • Character: Molly Monaghan
Ginny Grainger, a young mother, rediscovers the joy and beauty of Christmas, thanks to the unshakable faith of her six-year-old daughter Abbie and Gideon, Ginny's very own guardian angel.

Babar: The Movie

Babar: The Movie
6.3/10
Children's book authors Jean and Laurent de Brunhoff's most beloved elephant comes to the big screen in this animated family tale. Elephant monarch King Babar tells the tale, that unfolds via flashback, of how a much-younger Barbar and his girlfriend Celeste save her village from the pugnacious rhinoceroses that have come to raid it.

No Such Thing

No Such Thing
6/10
Beatrice's fiancé is killed by a monster in Iceland. The monster is immortal, but longs to die. Beatrice helps him achieve this by contacting a scientist who can destroy matter painlessly.

The Madness and Misadventures of Munchausen

The Madness and Misadventures of Munchausen
7.3/10
This is an all new feature length documentary, with interviews from almost everyone involved with the production of the film. Gilliam never shies away from the truth, even when it comes to himself, and so this documentary is self-effacing and refreshingly frank. The documentary details not only the battles Gilliam had with Columbia in getting the film finished and released, but also the imagination and innovation that went into the production.

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