The best Sarah Padden’s western movies

A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.

In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be extended into Dakota, plans to use their $20,000 nest egg to buy land options to sell to the railroad at a profit. On the stage trip to Ft. Abercrombie, their fellow passengers are Jim Bender and Bigtree Collins, who practically own the town of Fargo and Devlin is aware that they are prepared to protect the little empire... trying to drive out the farmers by burning their property, destroying their wheat, and blaming the devastation on the Indians. Continuing their journey north on the river aboard the "River Bird', Sandy and John meet Captain Bounce, an irascible old seafarer. Two of Bendender's henchmen, Slagin and Carp, board the boat and relieve John of his $20,000 at gunpoint. Captain Bounce, chasing the robber's dinghy..

During the California Gold Rush, two down-on-their-luck vaudevillians attempt to become wealthy by bringing a girlie show to an all-male western mining town.

The Western hero takes on a ruthless land baron whose henchmen killed his best friend.

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love.

Eddie and his sidekicks have been called in to help get a new telegraph line through. Dawson and his men along with his stooge Judge are out to stop them. When Eddie and the boys catch three of Dawson's men destroying telegraph equipment, the Judge releases them and this leads to the showdown between the two sides.

Billy, after shooting down land baron William Donovan's henchmen for killing Billy's boss, is hunted down and captured by his friend, Sheriff Pat Garrett. He escapes and is on his way to Mexico when Garrett, recapturing him, must decide whether to bring him in or to let him go.

Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.

Statehood for Wyoming became the weighty focal point in this very low-budget music Western from poverty row company PRC, which served to introduce Eddie Dean as the company's newest singing cowboy. Old Ma Conway (Sarah Padden) champions statehood for Wyoming, believing the measure would put an end to the territory's lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow (Ian Keith and greedy banker Dixon (Robert Barron). When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo (Rocky Camron) to put the fear of God in the woman.

Joe Weller has instigated a conflict over water rights between two ranchers. The idea is to have the ranchers do each other in then move in and take over. Hoppy and the good guys won't let this happen.

Supernatural events on the range prompt an investigation by cowboy Brown in this western.

As foreman of a dude ranch, Gene has two problems. One is a guest, the spoiled daughter of a millioniare, and the other is the disgruntled ex-foreman that Gene replaced, now just a ranch hand. Gene eventually gets the daughter straightened out but has to fire the ex-foreman and this leads to trouble when he returns intent on revenge.

Johnny Mack goes to work on "Ma" Curtis' ranch, to the disapproval of his friends, rancher Glenn Hadley and his sister Beth, who are at odds with her. Secretly, Ma's foreman Stoner is plotting with real estate man Ed Dutton to ruin her ranch and acquire it cheaply, with controlling water rights. Johnny stops henchman Dade in an attempt to dynamite the barn and Stoner, supposedly taking him to the sheriff, kills him. Johnny stops Glenn and Beth from tearing down a Curtis fence in order to get their cattle to water, but Glenn refuses to help even after Johnny explains he is helping Ma in order to find out who is behind the attacks on both ranches. Ma pretends to fire Johnny for saving Glenn from an ambush. As the outlaws attempt to rustle Ma's remaining cattle, Johnny, Alibi and Glenn join forces.

In this western, an innocent saddletramp is blamed for killing a man. Fortunately he finds the real culprit before it is too late.

Fanning has his men rustle horses and then blame it on a wild horse named Wildfire. Happy and Alkali arrive and immediately get into trouble with Fanning and his men. When Alkali is shot, Happy catches the outlaws but the Judge not only releases them, he discharges the Sheriff and tries to arrest Happy for rustling. Happy escapes and he and the Sheriff then set out to prove who the real rustlers are.

Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw

Ma Turner of Red Bluff sends for U.S.Marshal Buck Roberts to investigate a series of wide-spread rustling in the area. Town banker Miller, saloon-owner Duke Mason and the crooked sheriff are in cahoots with rancher John Holt, but they double-cross and kill him. His son Steve witnesses the murder and kills the sheriff. Buck arrives and arrests Steve. Marshal Tim McCall, posing as an outlaw, gains the confidence of the gang and engineers the escape, with Buck's knowledge, of Steve from the jail. Sandy Hopkins, the third Marshal of the trio, poses as a peddler and learns that the gang intends to do away with Buck and rides to the Turner ranch to warn him. Red, a Turner ranch hand but also a member of the gang, overhears Buck telling Ma that Tim is really a U.S. Marshal, and he has Miller and Mason informed. Written by Les Adams

Billy the Kid and his pals Jeff Travis and Fuzzy Jones are arrested and brought to Fort Culver, where Billy is amazed to discover that he and the post commander Lieutenant Ted Morrison, are exact doubles.