The best Sara Montiel’s movies

After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

A wealthy woman discovers a vineyard worker with a beautiful operatic singing voice. She helps make him a star but then breaks his heart. He flees in misery to Mexico where he meets a sweet farm girl.

On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.

When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

"La Bella Lola" is a struggling singer trying to make a living for herself and her sister Ana in late 19th Century Spain. Lola is having an affair with Gabriel, a rich and influential older man who gives her jewelry and supports her singing career. Things change rapidly when Lola meets and falls in love with young playboy Javier, although the romance is doomed from the start. Javier belongs to an aristocratic family and has a bright future as a politician.

A Spanish music hall performer gets caught up in espionage during the First World War.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

Martin retired from his job as a hero because of his marriage to Rosario, a beautiful and ambitious girl who passed through the workshop where he works. However, Martin has to return in principle to help a friend from robbers.

Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.

The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…

Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.