The best Sandra Milovanoff’s movies
If you love cinema, you will share this ranking of the best Sandra Milovanoff’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Sandra Milovanoff.
Les misérables
7.4/10
Jean Valjean is a good man who is nevertheless convicted and imprisoned for a minor offense. When he escapes, he is pursued for decades by the unrelenting lawman, Javert.
My Crimes After Mein Kampf
5.4/10
The film shows the seizure of power by the Nazis and Hitler wants a trial, at a time when France has just declared war on Germany (Sept. 3, 1939). Hybrid composition, it alternates originals and reconstructions performed by actors (docudrama). A not-so-subtle condemnation of Hitler, Nazism and Germany by the movie's French film makers, which conveniently makes no mention of how the policies of Great Britain and France created Hitler and allowed him to go as far as he did prior to the beginning of the Second World War.
Island Fishermen
6.6/10
Faithfully reproduced observations of Breton fisherfolk in story of the man a local woman really loves who will not at first give himself to her because of his fondness for the sea that takes him away.
Förseglade läppar
6.2/10
The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.
The Phantom of the Moulin-Rouge
6.4/10
A young man, unsuccessful in love, manages to leave his body and tours Paris, disembodied and invisible, playing practical jokes: a row of coats walks off from a hotel cloakroom; an unattended taxi drives itself away; a row of top hats appears on the pavement.
The Prey of the Wind
6.8/10
A pilot crashes and a beautiful countess of a castle nearby nurses him to health.
Mauprat
6.6/10
Mauprat was adapted into a silent film with the same title by French director Jean Epstein in 1926. Luis Buñuel was assistant director on this film; it was his first film credit.
La Condesa María
5.8/10
The Orphan
Directed by Louis Feuillade.
La meilleure maîtresse
The Two Girls
7.3/10
Two small girls whose father is in prison are collected by their grandfather after losing their mother in a shipwreck.
The Buccaneer's Son
A melodrama.
