The best Sandra Milo’s romance movies

Sandra Milo

Sandra Milo

11/03/1935 (89 años)
If you love cinema, you will share this ranking of the best Sandra Milo’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Sandra Milo.

The Big Risk

The Big Risk
7.5/10
On crowded Milan streets, two men execute a split-second payroll heist-in broad daylight-then begin a lightning-paced getaway, via every conveyance available. But after all, when a tough guy's returning to France (where he's been sentenced to death in absentia) after holing up in Italy for nearly a decade, he's got to have some startup money--particularly if he's going back with the wife and kids.

Cinderella '80

Cinderella '80
6.5/10
In this contemporary retelling of the Cinderella story, a feisty 18-year-old Italian-American New Yorker named Cindy is sent off to Rome with her irascible stepmother and vain stepsisters. On the way, she meets, and falls in love with, globetrotting bagpacker Mizio, who eventually turns out to be of Italian nobility. There's a fairy stand-in in the form of a spaced-out astrologer, a dance, and she even loses a shoe at one point. Care to venture a guess how it all turns out?

The Visitor

The Visitor
7.4/10
Certain that "the right man" is crucial to her escaping the confines of the Italian village where she lives, Pina (Sandra Milo) places an ad in the newspaper. She gets a response from Adolfo (Francois Perier), who agrees to travel from his residence in Rome to visit her. As flashbacks shed light on both their pasts, suspense builds about how they will relate to one another. Sharp, dark Italian comedy co-stars Mario Adorf, Gastone Moschin.

The Heart Elsewhere

The Heart Elsewhere
6.7/10
The Pope's tailor sends his son, a virgin at 35, to Bologna hoping he will find a woman. Nello, a classicist moved by the romantic poetry of Ovid, proves to be a good teacher and also falls hopelessly in love with the beautiful Angela Gardini. Angela, herself recently blind and then spurned by her fiancé, uses Nello: she hopes her former lover will become jealous and return to her. Nello obliges, his head full of poetry and in love at last; he's happy to be near her, knowing that she, before her disability, wouldn't have looked twice at him. Bologna or Rome, teaching or stitching, love or solitude - will Nello make choices?

Moglie e buoi

Moglie e buoi
5.3/10

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