The best Sandra Ballesteros’s movies
Today we present the best Sandra Ballesteros’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Sandra Ballesteros’s movies.
The Dark Side of the Heart
7.4/10
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
Are We?
5.1/10
In three corners of the Buenos Aires neighborhood known as Recoleta, life and death pursue parallel paths. One of silence, death, rebellion and drugs. Lecube is staying in a hotel with his lover Celia and his son Marcelo with whom his friend Toto is trying to initiate a homosexual relationship.
El sekuestro
7.2/10
The Dark Side of the Heart 2
6.4/10
The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful... The sequel to the blockbuster Argentinean smash hit. After ten years, Oliverio is still intrigued by the works of great poets and continues to search for true love. When he meets the beautiful Miranda, she suggests that they both move in together and find jobs. Oliviero, however, leaves Miranda in search of his first love Ana who he met ten years prior. Once in Barcelona, he realizes that Ana's life has drastically changed and their love is in the past. Soon, he meets poet and circus performer, Alejandra. Oliviero becomes smitten and desperately tries bond with her, but she makes things a little more difficult that he ever imagined.
Cruz de sal
4.1/10
Las boludas
4.5/10
Watch at home what you did not dare to watch on the cinema.
Don't Die Without Telling Me Where You're Going
7/10
It is the fantastic story of Leopoldo, a lonely film projectionist who has invented a machine to record his dreams. Through a series of odd events, Leopoldo discovers that he is the reincarnation of one of the inventors of cinema, and that a woman he sees in his dreams is his eternal companion on a trip through centuries.
Buenos Aires 100 KM
6.5/10
A remote village 100 kilometers from the city of Buenos Aires. A place that dreams of the nation's capital. Stephen, Matías, Alejo, Damián and Guido were born 13 years ago in this small town. Have always been friends and together they share the monotonous summer afternoons sitting on the stoop of a women's hairdresser. Anxious, restless, impatient for a change, go through the most confusing period of experiment. The transition from childhood to adolescence. Appears curious about women and sexual awakening, accompanied by the rebellion against their parents and family mandates.
Historias Breves 3
4.9/10
A dos aguas
7.3/10
When Rey left Argentina after it fell under a military dictatorship in the late 1970s, he also left behind a very controlling and authoritarian father. Now he has returned to the country from exile for the funeral of his father. Though he left the man behind physically, their relationship still haunts him. Meanwhile, his old college pal Isabel has also returned to Argentina to help her husband and child cope with the effects of her long absence, brought about because she had a politically unsuitable lover. The two returnees are contemplating filming an autobiographical film about their experiences.
Bloody Flash
A woman is tormented by painful menstrual cramps... or is she?
Visitante de Invierno
5.2/10
Un loco en acción
6.3/10
El camino de los sueños
5.2/10
Ignacio Silva returns to his hometown, a small port in southern Argentina. There he reunites with his memories and with a friend, and meets three women who lead him to see life differently.
