The best Samara Weaving’s movies of 2020
Samara Weaving (born 23 February 1992) is an Australian actress and model. She got her start in acting by portraying the role of Kirsten Mulroney in the Australian-produced BBC television series Out of the Blue and Indi Walker in the Australian soap-opera Home and Away (2009-2013). She has also starred in the Netflix film The Babysitter (2017).
100% Wolf
5.6/10
Freddy Lupin, heir to a proud family line of werewolves, is in for a shock when on his 14th birthday his first 'warfing' goes awry, turning him into a ferocious poodle. The pack elders give Freddy until the next moonrise to prove he has the heart of a wolf, or risk being cast out forever. With the help of an unlikely ally in a streetwise stray named Batty, Freddy must prove he's 100% Wolf.
Bill & Ted Face the Music
5.9/10
Yet to fulfil their rock and roll destiny, the now middle-aged best friends Bill and Ted set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it. Along the way, they are helped by their daughters, a new batch of historical figures and a few music legends — to seek the song that will set their world right and bring harmony to the universe.
Guns Akimbo
6.3/10
An ordinary guy suddenly finds himself forced to fight a gladiator-like battle for a dark website that streams the violence for viewers. Miles must fight heavily armed Nix and also save his kidnapped ex-girlfriend.
The Babysitter: Killer Queen
5.8/10
Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.
Last Moment of Clarity
5.2/10
A normal New Yorker's life is upended when his girlfriend is murdered by the Bulgarian mob. He flees to Paris to hide from her killers. But three years later, he sees a similar looking woman on the silver screen. Obsession with past love takes Sam to Los Angeles to look for answers, only to put him back into the sights of the Bulgarians. An updated Hitchcockian thriller in the vein of Vertigo and Rear Window
