The best Sam Waterston’s history movies
We present our ranking of the best Sam Waterston’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Sam Waterston.
Nixon
7.1/10
A look at President Richard M. Nixon—a man carrying the fate of the world on his shoulders while battling the self-destructive demands from within—spanning his troubled boyhood in California to the shocking Watergate scandal that would end his Presidency.
On the Basis of Sex
7.1/10
Young lawyer Ruth Bader Ginsburg teams with her husband Marty to bring a groundbreaking case before the U.S. Court of Appeals and overturn a century of sex discrimination.
The Killing Fields
7.8/10
The real-life story of a friendship between two journalists, an American and a Cambodian, during the bloody Khmer Rouge takeover of Cambodia in 1975, which led to the death of 2-3 million Cambodians during the next four years, until Pol Pot's regime was toppled by the intervening Vietnamese in 1979.
Dempsey
6.2/10
Nominated for two primetime Emmy Awards in 1984, this made-for-TV movie follows the true story of American boxer Jack Dempsey, who became a media sensation in the 1920s as the world heavyweight champion. Based upon the book by Jack Dempsey and Barbara Piatelli Dempsey.
Dateline: Saigon
9.2/10
How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'
