The best Sam McDaniel’s music movies

A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.

Romance strikes when a vacationing millionairess and her daughter and son spend their vacation at a posh New England resort.

In the gay '90s, cardsharps take over a Mississippi riverboat from a kindly captain. Their first act is to change the showboat into a floating gambling house. A ham actor and his bumbling sidekick try to devise a way to help the captain regain ownership of the vessel.

Wagon Wheels is a 1934 remake of 1931's Fighting Caravans, using stock footage from the original and substituting a new cast headed by Randolph Scott and Gail Patrick to replace the earlier film's Gary Cooper and Lili Damita. The western movie was directed by Charles Barton from the Zane Grey novel "Fighting Caravans."

When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.

A grown-up Jane Withers is joined by a whole slew of former child stars in the lightweight Republic musical Johnny Doughboy. Withers capably essays the part of a teenaged movie star who tires of the spotlight and runs away from Hollywood. Adopting an alias, she joins "The Junior Victory Caravan", a group of youthful USO performers. She also pursues a romance with much-older playwright Henry Wilcoxon, only to be (deliberately) disillusioned by the man. Among the juvenile favorites making cameo appearances in Johnny Doughboy are Bobby Breen, Baby Sandy, Butch & Buddy, Cora Sue Collins, Robert Coogan (Jackie's brother) and ex-"Little Rascals" George "Spanky" McFarland and Carl "Alfalfa" Switzer.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

The film tells the story of Sylvia, a French teacher at an all-girl school, who wants to find love. When she hears Bill Williams on the radio, she decides to go visit and thank him. However, difficult problems lay ahead when Lili gets in the way.

Napoleon Bonaparte's younger brother, visiting the United States, falls madly in love with a young woman he meets in Baltimore.

Victor Ballard, a happy-go-lucky albeit impoverished sidewalk photographer, shares a New York City studio apartment with Polish immigrant painter Stefan Janowski. The big city doles out joy and misery indiscriminately: In the apartment below Victor and Steve, Gus Nelson learns that his wife has given birth to quintuplets, while the lonely tenant in the apartment below Gus has given up on life and committed suicide.

A bumbling senator investigating graft in Louisiana is the target of a scheme involving a Viennese beauty.

A musical comedy about a Brooklyn boy who inherits a fortune from his archaeologist father, but has to go to Egypt to claim it.

Ginger and Dixie are process servers for goofy lawyer Homer Bronson. The two friends want to quit, but they're offered a thousand dollars to serve four subpoenas in a breach of promise suit against rich C. Richard Courtney. Little does Ginger realize, C. Richard Courtney and her mysterious park bench boyfriend 'Carter' are one and the same.

Racketeer Frank Rocci is smitten with Joan Whelan, a dancer at Texas Guinan's famous Broadway night spot. He uses his influence to help her get a starring role in the show, hoping that it will also get Joan to fall in love with him. After scoring a hit, Joan accepts Frank's marriage proposal, more out of gratitude than love. The situation gets even stickier when she falls for a handsome band leader during a trip to Florida. Can she tell Frank she's in love with someone else?