The best Saša Petrović’s movies

When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

JW now lives in exile and is more than ever determined to find out what happened to his missing sister Camilla. Every trace leads him to the world of organized crime in Stockholm. Jorge is about to do his last score - the largest robbery in Swedish history. But during the complicated preparations he meets a woman from his past - Nadja. Martin Hägerström is chosen to go undercover into the Serbian mafia, in order to get its notorious boss Radovan Krajnic behind bars. When an assassination attempt is made on Radovan, his daughter Natalie is pulled into the power struggle within the Serbian mafia.

JW is serving hard time in prison and struggling to get back on an honest path. There are glimmers of hope in his life - some venture capitalists are interested in a new piece of trading software he's developed, and while behind bars he's made peace with an old enemy. This all proves to be an illusion. On leave from prison, and back in contact with his former gang, JW learns that once you've walked in the shoes of a criminal there just may be no going back.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

After the release from prison, small-time criminal is marrying his girlfriend and lives a straight and poor, but happy life with her and her daughter. However, his happiness is shattered by wife's infidelity. Driven mad by jealousy, he kills her and her lover and runs into mountains, thus escaping law for years. This film is based on the true story about Junuz Kečo, last Bosnian outlaw.

Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.

The main protagonists of the film are members of the gypsy family Mirga. Lutvija Belmondo Mirga narrates a story about four generations. Belmondo is the central character of the film, a gypsy king, who decided to establish his own gypsy village. He names it Shanghai. Belmondo makes a living smuggling and his power and influence grow big. He even gets the local police and politics on his side and that helps him to become untouchable for law. But with the downfall of Yugoslavia, smuggling of goods is replaced by smuggling of the arms. Though lucrative the business starts to threaten Belmondo’s personal life and he finds himself at the crossroads. Will he protect his own family or is he going to sacrifice his personal happiness for business ambitions?

Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.