The best Roy Jenson’s tv movie movies
If you love cinema, you will share this ranking of the best Roy Jenson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Roy Jenson.
La Classe américaine
7.9/10
George Abitbol, the classiest man in the world, dies tragically during a cruise. With his last breath, he whispers: “Shitty world.” The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery… (16 French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)
Nightside
5.2/10
Danny Dandoy is a good-humored, street-wise cop working the dusk to dawn shift in Los Angeles with his somewhat naive new partner Macey in this supposed pilot for a new TV series.
The Glass House
7.1/10
Adapted from a story by Truman Capote ("In Cold Blood"), the world of the prison convict is open to the viewer. As the story develops, one thing becomes clear. As in the outside world, there is a "system"; and just as on the outside, there is accommodation, honesty, cynicism, violence and all the other factors that make up our society. The film follows the three newcomers, it records the grim, terrifying, sometimes fascinating events that occur.
Helter Skelter
7.3/10
The investigation of two horrific mass murders leads to the capture and trial of the psychotic pseudo-hippie Charles Manson and his "family".
A Tattered Web
5.6/10
A detective discovers his son-in-law is cheating on his wife. He confronts the other woman and accidentally kills her, then tries to pin the crime on a local derelict.
The Abduction of Saint Anne
6.1/10
A cynical detective and a Roman Catholic bishop team up to investigate the reported miraculous powers of a 17-year-old girl being held captive in the home of her father, an ailing syndicate kingpin.
Hit Lady
5.6/10
At a Texas barbecue, a pretty woman chats up a wealthy rancher, and soon they're off on a horseback ride. Before she shoots him on an isolated road, she gives him a minute to reflect on who he might have offended on his rise to the top. She's Angela de Vries, a contract killer based in L.A. She wants this to have been her last job; her contractor wants one more death, a national union leader, made to look like an accident. She starts her homework on this mark. Meanwhile, in her private life, she's in love with a budding photographer. Is there any way that she can get out of the game and have a full love life?
