The best Rosella Towne’s comedy movies

Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience?

When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she pretends to have forgiven him, and sends him to her father to get financing for a plan Bill has. What happens next was not part of her original revenge plan.

When the representative of the Paris International Dance Exposition arrives in New York to invite the Academy Ballet of America to compete for monetary prizes, the taxi driver mistakenly brings him to the Club Ballé, a nightclub on the brink of declaring bankruptcy. The owners, Terry Moore and Duke Dennis, jump at the chance to go, despite being aware of the mistake. They hire ballet teacher, Luis Leoni, and his only pupil, Kay Morrow, to join the group, hoping to teach their two dozen show girls ballet en route to Paris by ship. Also going along and rooming with Kay is Mona, Terry's ex-wife, who wants to keep an eye on her alimony checks. Naturally, Kay and Terry fall in love.

Perky young Nanette attempts to save the marriage of her uncle and aunt by untangling Uncle Jimmy from several innocent but ensnaring flirtations. Attempting one such unentanglement, Nanette enlists the help of theatrical producer Bill Trainor, who promptly falls in love with her. The same thing happens when artist Tom Gillespie is called on for help. But soon Uncle Jimmy's flirtations become too numerous, and Nanette's romances with Tom and Bill run into trouble. Will Uncle Jimmy's marriage survive, and will Nanette find happiness with Tom, Bill, or somebody else?

A sports store clerk poses as a famous jockey as an advertising stunt, but gets more than he bargained for.

The third of nine Torchy Blane movies. Angry that police detective Steve McBride (Barton MacLane) is giving preferential treatment to his reporter-fiancée, Torchy Blane (Glenda Farrell), reporters from a rival newspaper plan a fake murder with the idea that Torchy's paper will print the story and look foolish. The tables are turned when the fake murder turns out to be the genuine article.

Two lazy screenwriters need a story for the studio's cowboy star. A studio waitress turns out to be pregnant. This gives them the idea for a movie about a cowboy and a baby. The waitress's baby becomes the star. The cowboy and his agent run off with the waitress and her valuable asset. The writers retaliate by hiring an unemployed extra to impersonate the baby's father. But the extra already knows the waitress...

A singing cowboy turns out to be a tenderfoot.

Choreographer Bobby Connolly and prolific screenwriter Crane Wilbur teamed up on the direction of Warner Bros.' The Patient in Room 18. Patric Knowles delivers a delightfully comic performance as Lance, an outwardly normal young man obsessed with detective stories. When his obsession threatens to lapse over into lunacy, Lance is sent to the hospital for a nice long rest. It isn't long before he gets mixed up in a genuine murder mystery, using his second-hand knowhow to solve the case. Up-and-coming Ann Sheridan is quite amusing as Lance's nurse and confidante, while the murderer is played by a fellow who is usually cast as the murder victim.