The best Rose Byrne’s mystery movies

Rose Byrne

Rose Byrne

24/07/1979 (44 años)
Mary Rose Byrne (born 24 July 1979) is an Australian actress. Byrne made her screen debut in 1994 with a small role in the film Dallas Doll. In 2000, she played a leading role in the Australian film The Goddess of 1967, which brought her a Venice Film Festival award for Best Actress. Since 2007, she has played Ellen Parsons in the cable television series Damages, which has earned her two Golden Globe and two Emmy nominations. In 2011, she starred in the critically acclaimed and financially successful films Insidious, X-Men: First Class and Bridesmaids. Description above from the Wikipedia article Rose Byrne, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Knowing

Knowing
6.2/10
A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.

Insidious: The Last Key

Insidious: The Last Key
5.7/10
Parapsychologist Elise Rainier and her team travel to Five Keys, NM, to investigate a man’s claim of a haunting. Terror soon strikes when Rainier realizes that the house he lives in was her family’s old home.

Wicker Park

Wicker Park
6.9/10
Matthew, a young advertising executive in Chicago, puts his life and a business trip to China on hold when he thinks he sees Lisa, the love of his life who left him without a word two years earlier, walking out of a restaurant one day.

The Dead Girl

The Dead Girl
6.6/10
The clues to a young woman's death come together as the lives of seemingly unrelated people begin to intersect.

The Tenants

The Tenants
5.1/10
The story of a Jewish novelist, Harry Lesser, struggling to complete his latest work, and his antagonistic relationship with a black writer who moves in down the hall.

The Tender Hook

The Tender Hook
5.2/10
The story is about Iris' rise to the apex of a love/power triangle that includes her roguish English lover, McHeath and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.

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