The best Rosa Lobato Faria’s drama movies

Rosa Lobato Faria

Rosa Lobato Faria

20/04/1932- 02/02/2010
If you love cinema, you will share this ranking of the best Rosa Lobato Faria’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Rosa Lobato Faria.

Jogo de Mão

Jogo de Mão
6/10
  • Genre: Drama
  • Release: 02/02/1983
  • Character: Guest
In a unique approach to what amounts to four pseudo-morality plays, director Monique Rutler has a street entertainer with hand puppets summarize the characters and idea of each story. The first sketch is about a young man who shines shoes for a living, and tries to keep up a relationship with two women while convincing each she is his only true love. The next story is about a man who beats up his wife when he is drunk, and sells furs for a living. One day, as she is riding in the back of his truck with the furs, he hits a bad patch and she and some furs fall out. The question is, will the woman be enterprising and leave the jerk - or not? The third tale concerns a woman looking into how much control a prostitute has over her clients, and to really find out, she becomes a prostitute herself for awhile - leading to some quite unexpected situations. The last segment handles the uglier side of the life styles of the rich and famous.

One Hundred Times Lost

One Hundred Times Lost
6.2/10
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.

O Vestido Cor de Fogo

O Vestido Cor de Fogo
6.9/10
  • Genre: Drama
  • Release: 07/09/1985
  • Character: Lady
José Pereira, a young medical graduate, meets a young and ardent Maria Eugénia. The time is the eve of the Portuguese Revolution, on 24th April 1974 and only a short time elapses between courtship and marriage. The young pair are very much in love, but José begins to have doubts about the "honesty" of such intense feelings of love, feelings which are too intense (or hot) to him . If Maria Eugénia is like this with him, will she be the same with other men?In the meantime, the Revolution takes its course. José, who previously had been persecuted because of his opposition against the old regime, now feels "left behind" and frustrated.

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