The best Rolan Bykov’s history movies
Today we present the best Rolan Bykov’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Rolan Bykov’s movies.
The Last Relic
7.8/10
A medieval love story with lots of adventures. The times are troubled - there's a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A nobleman promises to get it if he gets beautiful Agnes as a reward. But she fells in love with a handsome adventurer. The monastery has to act shrewd now and play double game. The movie is still the best achievement of the Estonian cinema. Based on a novel.
Yuliya Vrevskaya
7.6/10
The film is based on a true dramatic story of the fate of a wonderful Russian woman - Countess Yulia Petrovna Vrevskaya, one of the first Petersburg beauties. The events of the movie take place during the Russian-Turkish war for the liberation of the Bulgarian people from the Turkish yoke. An early widowed baroness, having left Petersburg, and having invested all her money in organizing a volunteer sanitary detachment, she becomes a sister of mercy on the front of the Bulgarian war with the Ottoman Empire of 1878.
Cheka Employee
6.7/10
Based on the novel of the same name by Aleksandr Lukin and Dmitriy Polyanovskiy. Russia, 1919. A young soldier of the First Cavalry Army, Aleksei Mikhalyov, is sent to work in the provincial Cheka. Here in the south of the country there is a large White Guard underground led by the elusive Markov. Aleksei gets into the gang, where he is mistaken for his own. The day of the operation to eliminate the white underground is appointed. But unforeseen circumstances destroy the plans of the Chekists.
It
6.8/10
The bureaucratic epos on the dialogues and plots of Mikhail Saltykov-Shchedrin "The History of a Town". In a metaphorical and grotesque form, the film conveys the history of Russia from the calling of the Varangians until the end of the 20th century. The film traces the change of the “chiefs” of the county town of Glupov, which differ in varying degrees of tyranny and the corresponding total number of “killed” city residents. The heads of the city easily guess the former heads of the Russian state and the USSR.
