The best Roger Lloyd Pack’s romance movies

Roger Lloyd Pack

Roger Lloyd Pack

08/02/1944- 15/01/2014
Today we present the best Roger Lloyd Pack’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Roger Lloyd Pack’s movies.
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Fiddler on the Roof

Fiddler on the Roof
8/10
This lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Czarist Russia. Nominated for eight Academy Awards.

Vanity Fair

Vanity Fair
6.2/10
  • Genre: DramaRomance
  • Release: 01/09/2004
  • Character: Francis Sharp
Beautiful, funny, passionate, and calculating, Becky is the orphaned daughter of a starving English artist and a French chorus girl. She yearns for a more glamorous life than her birthright promises and resolves to conquer English society by any means possible. A mere ascension into the heights of society is simply not enough. So Becky finds a patron in the powerful Marquess of Steyne whose whims enable Becky to realise her dreams. But is the ultimate cost too high for her?

Cuba

Cuba
5.6/10
A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.

The Go-Between

The Go-Between
7.2/10
  • Genre: DramaRomance
  • Release: 16/06/1971
  • Character: Charles
British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

American Friends

American Friends
6.4/10
Francis Ashby, a senior Oxford don on holiday alone in the Alps, meets holidaying American Caroline and her companion Elinor, the blossoming Irish-American girl she adopted many years before. Ashby finds he enjoys their company, particularly that of Elinor, and both the women are drawn to him. Back at Oxford he is nevertheless taken aback when they arrive unannounced. Women are not allowed in the College grounds, let alone the rooms. Indeed any liaison, however innocent, is frowned on by the upstanding Fellows.

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