The best Rod Cameron’s western movies

During the Austrian-Prussian war, Anna Marie is a dancer who is forced to flee her country after she is accused of being a spy. She ends up in a lawless western town in Arizona, where she uses her charms and dancing skills to transform herself into "Salome" during her dance routines.

Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.

Female outlaw helps lawmen trap railroad bandits.

A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers' killing of each other by re-enacting scenes from the film for real because they don't understand movie fakery....

An ex-gunfighter (Rod Cameron) woos two women while avenging his brother, victim of a crooked gambler.

A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.

Johnny Hart (Rod Cameron) is on the run from the law after killing one of the men who shot his partner. He passes through a town and stops at a saloon owned by singer Lorena Dumont (Yvonne de Carlo). The two seem a good, albeit tempestuous match, although Johnny has no plans to marry -- Lorena has other ideas and a shotgun wedding ensues.

A U.S. Marshal goes undercover to stop a cattle smuggling gang, but when his cover is blown, the hunter becomes the hunted.

Texas Ranger Dusty Rivers ("Isn't that a contradiction in terms?", another character asks him) travels to Canada in the 1880s in search of Jacques Corbeau, who is wanted for murder. He wanders into the midst of the Riel Rebellion, in which Métis (people of French and Native heritage) and Natives want a separate nation. Dusty falls for nurse April Logan, who is also loved by Mountie Jim Brett. April's brother is involved with Courbeau's daughter Louvette, which leads to trouble during the battles between the rebels and the Mounties. Through it all Dusty is determined to bring Corbeau back to Texas (and April, too, if he can manage it.)

A disgraced Indian scout and his partner are hired to escort a wagonload of guns through Indian territory.

Lesley Selander took time off from his directorial duties on Tim Holt's RKO western series to helm the Monogram oater Fort Osage. Rod Cameron stars as frontier scout Tim Clay, assigned to guide a wagon train through Indian territory. Clay knows that he's in for a lot of trouble because of the treaty-violating activities of white criminals Pickett (Morris Ankrum) and Keane (Douglas Kennedy). Fortunately for the hero, Pickett and Keane double-cross each other somewhere along the line, weakening their ability to foment an all-out Indian attack. Jane Nigh co-stars as the in-the-dark daughter of one of the villains. Fort Osage was produced by Walter Mirisch, who later graduated to such big-budgeters as West Side Story and The Great Escape.

Director Ray Nazarro's 1954 western, originally filmed in 3-D, stars John Ireland and Joanne Dru as fugitive bank robbers who hide out by joining a government expedition bound for California.

The daughter of famous outlaw Belle Starr arrives at the town where her mother was murdered to find her killer.

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.

Brothers Mike and Tim McCall own a large ranch in Arizona, using the surrounding lands for grazing cattle. Stanley Cox and LeRoy Stanton sell this land to settlers who arrive to find it bone dry, as a dam on the McCall ranch controls the water. Among the settlers are John Dawson and his daughter Connie. The latter goes to the nearest town to take action, but Sheriff Ball tells him there is nothing he can do. Tim falls for Connie but Mike is unimpressed with her charms. While returning from a town dance, Tim discovers Stanton trying to dynamite the dam, and is killed in the ensuing gunfight. Stanton later sends his men to stampede the cattle while he and Cox blow up the dam. Despite the efforts of Mike and Sheriff Ball, the cattle are wiped out and Mike races to the dam and kills Stanton in a gunfight.

Hero Rod Cameron kills Sheriff Sam Borden (George Cleveland) at point-blank range and in front of several witnesses in the opening of this Republic Pictures Western, released in the company's patented Trucolor system. The "killing," however, is merely a ruse set up to allow army agent Johnny Drum (Cameron) to infiltrate a gang of highway robbers. The gang is led by Whit Lacey (Forrest Tucker), and although Johnny is determined to bring Whit and his men to justice, he cannot help befriending the charming rascal. It all comes to a head when the Sioux attack the local fort and both Johnny and Whit prove that they at least have something in common -- bravery and loyalty. Ilona Massey, as Cameron's love interest, performs "Walking Down Broadway," by William H. Lingard and Charles E. Pratt, and "I'll Sing a Love Song," with lyrics by Jack Elliott and Aaron Gonzales.

The Saturday matinee crowd got two cowboy stars for the price of one in this lavishly budgeted western serial starring former singing cowboy Dick Foran and Buck Jones. The latter contributed deadpan humor to the proceedings, making Jones perhaps the highest paid B-western comedy relief in history. The two heroes defend the Death Valley borax miners from an outlaw gang headed by Wolf Reade. An extraordinarily strong cast -- for a serial, at least -- supported the stars, headed by Charles Bickford as Reade, Leo Carillo, Lon Chaney, Jr., and silent screen star Monte Blue. Leading lady Jeanne Kelly later changed her name to Jean Brooks and starred in the atmospheric RKO thriller The Seventh Victim (1943). Universal claimed to have spent $1 million on this serial and made sure to get their money's worth by endlessly recycling the action footage in serials and B-westerns for years to come.

Gunslinger Rory Calhoun dispenses his own brand of justice in this action-packed Western adventure costarring Rod Cameron and Ruta Lee. It's been three years since gunfighter Blaine Madden (Calhoun) visited his hometown. So when he warns the Sully brothers to stop harassing the town drunk, they shoot the old man dead, not realizing he's Madden's father. Killing them both, Madden is badly wounded by the sheriff (Cameron) but escapes to an outlaw haven where the law fears to tread and prepares what may be his last stand. Written by Jo Heims (Play Misty for Me), The Gun Hawk was the final film directed by Edward Ludwig, whose nearly 50-year career spanned over 100 shorts, TV episodes and features, including the John Wayne hits The Fighting Seabees, Wake of the Red Witch and Big Jim McLain.