The best Robin Bartlett’s comedy movies
If you love cinema, you will share this ranking of the best Robin Bartlett’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Robin Bartlett.
Moonstruck
7.2/10
No sooner does Italian-American widow Loretta accept a marriage proposal from her doltish boyfriend, Johnny, than she finds herself falling for his younger brother, Ronny. She tries to resist, but Ronny lost his hand in an accident he blames on his brother, and has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls deeper in love, she comes to learn that she's not the only one in her family with a secret romance.
Honey, We Shrunk Ourselves
5/10
The joke's on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they've completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.
Crimes and Misdemeanors
7.8/10
An ophthalmologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.
If Looks Could Kill
5.8/10
Michael Corben, along with the rest of his high-school French class, sets out for a trip to France when he is mistaken for an agent of the same name. He is beseiged by both the good guys and the bad guys. British Intelligence outfits him with a series of James-Bond-like gizmos, and Steranko sends more would-be assassins after him. Can Michael stop the evil Steranko's plans for European domination?
Postcards From the Edge
6.7/10
Substance-addicted Hollywood actress, Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who still treats her like a child. Despite these and other problems, Suzanne begins to see the funny side of her situation, and also realises that not only do daughters have mothers—mothers do too.
