The best Roberto Carnaghi’s drama movies

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

Small stories linked by a group of children who at night in Buenos Aires wander through the city and mingle with their families in an abandoned building

argentina movie

This film follows the exploits of a middle aged man as he wanders through Argentina. It is set in the early '80s following the end of Argentina's long military dictatorship and is based on a 1990 novel by Osvaldo Soriano. Only recently returned from European exile, with no family and friends to welcome him home, "the engineer" travels the lonely southern Pampas of Argentina on the way to a job. He is periodically joined by other strange wanderers such as Nadia, the gun slinging psychic, Lem, a strange travelling millionaire, Barante, the hobo, and Coluccini, a bankrupt circus owner who involves "the engineer" in a rigged card game..

Marcelo makes a living as a painter in a Buenos Aires square, with other street artists. Rejected and lonely as a result of his family's break up, he devotes himself to his girlfriend, and dreams of a happy future together with her. She, however, has other plans, which, along with Marcelo's discovery of the reasons for his family's separation, create increasing conflicts between them, and make Marcelo face reality more clearly.

An influential mob boss and a cabaret star team up to increase his power.

Three stories that happen in one night. The starting point is a meeting of graduates. Former schoolmates are reunited after twenty years and all these stories will have something in common: second chances

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

1947, in Patagonia, in a little village on the seaside. An abandoned house on the beach shelters Letty's dreams, her loneliness that only Miguel, a very young pianist, may share with her. Tomas, her husband, loves Letty and eagerly defends her against all the village, while she keeps playing her part of a 'femme fatale' with a romantic past and a very adventurous file. But on a windy day, a handsome and strange foreigner appears, coming from the sea, a man just as those Bette Davis used to fall in love with. For Letty, reality begins to look like the most incredible dreams of her. But this will call the police inspector's attention. With that mysterious spy, Letty will be involved in a story that will end as those stories she was so fond of when she was going to the movie theater of her little willage.

Borges falls in love with Beatriz Viterbo, a high-class young woman, who decides to marry a government official who makes Borges strongly suspect him, speculating that he is a sadist who is slowly poisoning Beatriz. To save Beatriz Borges, he decides to turn to a detective, who becomes the hinge of an unthinkable story.