The best Robert Preston’s tv movie movies

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers payed up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

Ben Sunday, a long-in-tooth gunfighter forms an uneasy alliance with a Catholic nun. The single-minded sister wants to erect a sanctuary for a group of Apache orphans. Ben Sunday picks an ideal spot, right in the center of town--the local saloon and "bawdy house".

After a technicality results in the release of a man being tried for the rape and murder of a young woman, her father murders the man. Admitting his guilt and refusing to use temporary insanity, the father places his attorney in a virtual no-win situation. In an extreme effort, the attorney decides to call the judge who released the murderer originally and to challenge the entire legal system that would permit such a travesty.

A schoolteacher in her early 40s, involved in a dead-end love affair with a married mortician, drifts into a relationship with an aging newspaperman.