The best Robert Livingston’s music movies

When asked about the Ghost Riders song he sings, Gene Autry tells this legend: Gene is about to resign as an investigator for the county attorney and go into the cattle business with his pal Chuckawalla Jones but decides instead to help Anne Lawson clear her father, rancher Ralph Lawson, of a false murder charge. He looks for the three witnesses who can testify that Lawson shot only in self defense in killing a gambler, but the witnesses are terrorized by another gambler, town boss Rock McCleary, who shoots witness Pop Roberts Morgan. Fatally wounded, Pop gives Gene the information needed to clear Lawson, then dies crying the "Ghost Riders" are coming for him. Gene then heads for a showdown with McCleary.

Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

The first of two films pairing western/serial/action-film leading man Rex Lease (who also sings and dances here) and dialect comedian and comic writer Benny Rubin.

Carol (Ruth Terry), the cigarette girl at a swank Palm Springs hotel, dreams of singing in the establishment's nightclub. She gets a chance when her well-to-do uncle, "Colonel" Morgan (Alan Mowbray), and a pal blow into town ... until their visit turns out to be a con job. Carol's voice impresses the bandleader (Robert Livingston), but the hotel manager (Franklin Pangborn), still smarting from Morgan's chicanery, isn't ready to give her a chance.

When a group of World War 1 buddies head west to farmstead, they run into trouble.

On a peaceful, pre-war winter in Czechoslovakia, the genial godfather, Jaroslav Haschek, of Vera Hascheck, presents the young girl with her first pair of ice skates. Soon, she astonished the warm-hearted people of her village with her skill, and she is acclaimed a marvel-on-ice.