The best Rita Taggart’s comedy movies

Rita Taggart

Rita Taggart

19/12/1949 (74 años)
If you love cinema, you will share this ranking of the best Rita Taggart’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Rita Taggart.
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1941

1941
5.8/10
In the days after the attack on Pearl Harbor, panic grips California, where a military officer leads a mob chasing a Japanese sub.

Used Cars

Used Cars
6.7/10
  • Genre: Comedy
  • Release: 11/07/1980
  • Character: Woman In Bed
When the owner of a struggling used car lot is killed, it's up to the lot's hot-shot salesman to save the property from falling into the hands of the owner's ruthless brother and used-car rival.

Coupe de Ville

Coupe de Ville
6.7/10
  • Genre: ComedyDrama
  • Release: 09/03/1990
  • Character: Betty Libner
Meet the Libner brothers: Marvin (Daniel Stern), the oldest, is a sergeant in the U.S. Air Force. Buddy (Arye Gross), the middle child, is a timid dreamer. Bobby (Patrick Dempsey), the youngest, is a handsome rebel in reform school. As kids, they fought a lot and as adults, they barely speak. In the summer of 1963, their tough and eccentric father, Fred (Alan Arkin), gives them a task: to bring a 1954 Cadillac, bought for their mother, Betty (Rita Taggart), from Detroit to Miami. As the trip goes on, the three brothers fight and begin to reconnect with each other, while trying to keep the Caddy in mint condition.

Die Laughing

Die Laughing
4.7/10
A San Francisco cab driver find himself in possession of a monkey that is carrying a formula for turning atomic waste into a plutonium bomb. He finds himself framed for a murder and chased…

Steal Big Steal Little

Steal Big Steal Little
4.7/10
  • Genre: ComedyDrama
  • Release: 29/09/1995
  • Character: Autumn McBride
Ruben and Robby are twin brothers, adopted by Mona, one of the wealthiest - and most eccentric - women in Santa Barbara. Ruben is devoted to Mona, but Robby is more devoted to her money. So when Mona leaves her fortune and estate to Ruben it starts a battle between brothers that soon leads to madness, mayhem, and even attempted murder. On Ruben's side is Lou Perilli an ex-Chicago cop and used car dealer who knows the law - and how to get around it. On Robby's side is ruthless businessman Reed Tyler, who is out to turn a swift profit on Mona's property. Walking a shifty line between them is Eddie Agopian, the family lawyer, who doesn't care which side wins as long as he's on the winner's side. But whether they're stealing big or stealing little, they're all stealing in this hilarious comedy about greed, power... and brotherly love.

The Cartier Affair

The Cartier Affair
4.8/10
Curt Taylor is a convict and owes Phil Drexler the number 1 convict in the prison. Now to settle his debt Drexler sends Curt to be the secretary for Cartier Rand so that he can steal her jewels. But he falls in love with her, which complicates things.

Splash, Too

Splash, Too
3.5/10
A sequel to the popular romantic mermaid drama, in which Allen and Madison return to New York - one to save his business, the other to save a Dolphin in captivity. You can guess which does which.

At Home with the Webbers

At Home with the Webbers
5/10
  • Genre: Comedy
  • Release: 01/01/1993
  • Character: Emma Webber
AT HOME WITH THE WEBBERS explores what happens when a typical American family is turned into a hot, new, totally uncensored TV show. Viewers get hooked on the real-life soap, while the Webbers grapple with their unexpected fame.

Miss Lonelyhearts

Miss Lonelyhearts
6.8/10
Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer.

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