The best Rita Moreno’s tv movie movies

Rita Moreno

Rita Moreno

11/12/1931 (92 años)
Today we present the best Rita Moreno’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Rita Moreno’s movies.

And the Oscar Goes To...

And the Oscar Goes To...
7.1/10
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

A Gift of Miracles

A Gift of Miracles
6.3/10
A pragmatic PhD candidate must let go of her logic when she finds a list of items to give away written by the late mother she never knew. With the encouragement of her enthusiastic new mentor, she attempts to return everything on the list and begins to encounter unexplainable coincidences that lead her to understand the world’s smallest marvels have the greatest meaning.

Evita Peron

Evita Peron
5.7/10
  • Genre: DramaTV Movie
  • Release: 23/02/1981
  • Character: Renata Riguel
Aspiring actress Eva Duarte rises from a minor celebrity to the wife of a powerful Argentine dictator, but her all consuming fiery rage, ambition, and hatred eventually become her downfall.

Marlon Brando: An Actor Named Desire

Marlon Brando: An Actor Named Desire
6.9/10
In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.

Still Laugh-In: The Stars Celebrate

Still Laugh-In: The Stars Celebrate
5.2/10
Hollywood's finest pay tribute to "Rowan and Martin's Laugh-In" for an uncensored and unforgettable celebration at The Dolby Theater.

Out to Lunch

Out to Lunch
7.2/10
  • Genre: ComedyTV Movie
  • Release: 10/12/1974
  • Character: Self / Divorce Woman / Posy / Spectator / 50s Dancer
The Muppets of Sesame Street and the cast of The Electric Company take over the ABC Nightly News when the newsroom staff takes a lunch break.

The Rockford Files: If It Bleeds... It Leads

The Rockford Files: If It Bleeds... It Leads
7.1/10
Jim Rockford must help a friend unjustly accused of child molestation.

Portrait of a Showgirl

Portrait of a Showgirl
5.2/10
  • Genre: DramaTV Movie
  • Release: 09/04/1982
  • Character: Rosella DeLeon
The story of three Las Vegas showgirls, each at a different stage in her career.

Anatomy of a Seduction

Anatomy of a Seduction
5.6/10
The story of a divorced woman who begins an affair with the college-age son of her best friend, and the effects it has on her relationship with her own son, who is not much younger than her lover.

The Life and Times of Frida Kahlo

The Life and Times of Frida Kahlo
8/10
Never before has the extraordinary life of Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that shaped her. THE LIFE AND TIMES OF FRIDA KAHLO explores the 20th century icon who became an international sensation in the worlds of modern art and radical politics.

Alas, Babylon

Alas, Babylon
8.7/10
The Playhouse 90 teleplay of “Alas, Babylon” unflinchingly portrays the tragic aftermath of a major nuclear conflict with the U.S.S.R, including scenes featuring a child being rendered blind from a violent bomb flash and a character severely disfigured by radiation burns.  Narrated in flashback with solemn resignation by noir veteran Dana Andrews, who announces in the play’s first lines that he is already dead (à la Sunset Boulevard), the controversial drama was both lauded and criticized for its grim, daringly honest exploration of a scenario in which “92 percent of the world’s people were killed.”

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