The best Rinko Kikuchi’s science fiction movies

A ragtag band of humans band together in the year 2025 to fight legions of monstrous creatures rising from the sea. Using massive piloted robots to combat the alien threat, earth's survivors take the fight to the invading alien force lurking in the depths of the Pacific Ocean. Nearly defenseless in the face of the relentless enemy, the forces of mankind have no choice but to turn to two unlikely heroes -- a washed up former pilot and an untested trainee -- who now stand as earth's final hope against the mounting apocalypse.

It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.

With the space program attempting to travel to Mars, 21st century scientists were tasked with warming up the planet so that humans could survive on its surface. They came up with an efficient and cost effective plan of sending cockroaches and mold to the surface so that the mold would absorb the sunlight and the insect corpses would serve as a food source for the mold. It is now the year 2577 and the first manned ship to Mars has landed on the planet and the six crew members are ready for their mission. But what they find are giant mutated humanoid cockroaches with incredible physical strength. The crew members are easily wiped out, but not before sending a transmission back to Earth. Now, humanity will send elite warriors to exterminate the mutated bugs and claim back Mars.

Youngsters called Kildren, who are destined to live eternally in their adolescence. The Kildren are conscious that every day could be the last, because they fight a war as entertainment, organized and operated by adults. But as they embrace the reality they are faced with, they live their day-to-day lives to the full.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.

Three women and one man - with an assortment of weaponry - wage war against giant mutant sandwhales in a barren digital landscape, all to achieve points within the virtual reality video game called Avalon.